It’s time to be creative!-Week 3

This was Week 3 in the Integrated Arts module and it was all about the importance of being creative and giving the children the opportunity to use their creative minds to make something wonderful. “Every child is an artist. The problem is to remain an artist once he grows up” -Pablo Picasso. I read this … Continue reading “It’s time to be creative!-Week 3”

This was Week 3 in the Integrated Arts module and it was all about the importance of being creative and giving the children the opportunity to use their creative minds to make something wonderful.

“Every child is an artist. The problem is to remain an artist once he grows up” -Pablo Picasso. I read this quote and felt that it was very important and helped me to further explore the importance of the arts. It highlighted the fact that each and every child has an inner artist in them and it’s our job as educators to harness that skill and quality and continue their artistic learning throughout their school experience for them to keep their creative abilities as they grow older and develop into confident, responsible, succesful and effective individuals.

In the weeks seminar we we’re given the task of being creative ourselves, by putting ourselves in the shoes of the children we will soon be teaching. We were given a variety a materials, varying from different textures, sizes, colours in order to create our very own paintbrush. The whole idea of the this task was to show us, as educators, that it is extremely important to allow children to be creative and create something that is personal and meaningful to them.

As children grow older they begin to realise that everyone is different and unique and that their abilities and skills also vary from one another. In arts, children can often compare their work to their friends or the person sitting next to them, as they think their peers work is ‘better’ than theirs, which can have a huge impact on a child’s confidence and self-esteem (McAuliffe, 2007).  Therefore, this is where the idea of children creating their own paintbrush came into practice.  We noted the fact that when children are all given the same old standard paintbrush, is almost as if they are expected and think that they should all produce the same painting. It isn’t allowing for any creativity, uniqueness, speciality and for the children to create something that is all their own work. So, by the children greeting their own paintbrush to then create their own painting is allowing for an equal, fun and valuable learning experience.

Below I have attached images of the process of creating my paintbrush:

We were given a wooden stick to work as a base for the paintbrush.
I used these two colours of wool to tie around the paintbrush to give it texture and design.

This was my final product. I added feathers for some design and some thread to the bottom for design.

Once we created our paintbrushes it was time to create our paintings. I never anticipated how difficult it would be to paint a picture without the typical paint brush. However, it was a lot more fun and enjoyable and made me think less of how my painting didn’t look like everyone else’s, it was unique and a result of my paintbrush. I also learned that you don’t need a range of colours, you can use the four primary colours to create the majority of colours you would usually get on a palette.

The primary colours we were working with for our painting.
This was my finished painting.
This was our sections finished paintings on the wall.

This seminar highlighted the importance of ensuring every child feels like they matter, they are of value and their creative abilities are appreciated, which is at the heart of the Curriculum for Excellence (Scottish Government, 2004).

In the second seminar of the day, we focused on the importance of music within the expressive arts. This was a very practical experience which I was initially very apprehensive about. When I was younger I used to love music and exploring different instruments, however my experience changed when I went to high school. I lost interest in music, it all became to serious and it was always highlighted if you weren’t as good as someone else at playin an instrument. Therefore, when it came to this seminar I felt very anxious and nervous about playing the glockenspiel but it actually turned into a very fun, interesting, informing and enjoyable learning experience.

We were introduced to a very effective learning tool called ‘Figurenotes’ (Figurenotes, 2017). Figurenotes is an intuitive way of reading music. It uses colour and shapes to represent key muss notation. This is an excellent tool to use in primary schools as it allows for the children to go through simple stages towards learning the basics of playing an instrument. We got to try a few songs, my favourite was ‘Frere Jacques’, which I managed to get the hang off after a few tries. It shows me how quickly you can learn a part of a song on an instrument using Figurenotes.

This shows how Figurenotes can be used on the glockenspiel.

To end, this seminar reminded me of why I liked music when I was a child and how it is crucial to allow children the opportunity of exploring music. It showed me that anyone can play music when they put their mind to it. It also highlighted how useful a tool like Figurenotes would be in the classroom. I want to ensure that when I become a teacher I make the arts an important subject in the classroom and it is explored to the best that I can for the children, as it is extremely important to their learning and development into young individuals.

Resources:

Figurenotes. (2017) An intuitive way of reading music. [Online] Available: https://www.figurenotes.org/ [Accessed 30th September 2017]

McAuliffe, D. (2007) Foundation and Primary Settings, In teaching Art and Design 3-11. (Edited by Sue Cox, Robert Watts, Judy Grahame, Steve Herne and Diarmuid McAuliffe) London: Continuum.

Scottish Government. (2004) Curriculum for Excellence: Expressive Arts. [Online] Available: https://education.gov.scot/parentzone/learning-in-scotland/curriculum-areas/Expressive%20arts [Accessed 30th September 2017]

Creating Minds. (n.d.) Creative Quotes on Children. [Online] Available: http://creatingminds.org/quotes/children.htm [Accessed 30th September 2017]

 

 

 

 

 

 

The Creative Arts – Week 1

As a young child, I was encouraged by my parents to take part in various creative arts.  This included taking both piano and trombone lessons, being selected to sing alongside a number of my school friends in the Scottish National Youth Choir as well as going to dancing classes from the age of 3 at a … Continue reading “The Creative Arts – Week 1”

As a young child, I was encouraged by my parents to take part in various creative arts.  This included taking both piano and trombone lessons, being selected to sing alongside a number of my school friends in the Scottish National Youth Choir as well as going to dancing classes from the age of 3 at a … Continue reading “The Creative Arts – Week 1”

Integrated Arts 2

ART In today’s seminar we had the opportunity to let our creative minds flow and put ourselves in the shoes of the children we will soon be teaching. We were given a bunch of different materials and asked to make … Continue reading

ART In today’s seminar we had the opportunity to let our creative minds flow and put ourselves in the shoes of the children we will soon be teaching. We were given a bunch of different materials and asked to make … Continue reading

Integrated Arts Week 3

Integrated Arts week 3 Music: Today we looked at the figure notes system of reading music. Julie explained how the system was developed in Finland as an educational tool that creates a more inclusive way of learning to play an instrument. The symbols and colours are used to identify individual notes. Using this simple yet …

Continue reading “Integrated Arts Week 3”

Integrated Arts week 3 Music: Today we looked at the figure notes system of reading music. Julie explained how the system was developed in Finland as an educational tool that creates a more inclusive way of learning to play an instrument. The symbols and colours are used to identify individual notes. Using this simple yet …

Continue reading “Integrated Arts Week 3”

Intergrated Arts- Visual Arts and Music 26/9/17

This  weeks Integrated Arts inputs where vastly engaging. The inputs focused on the visual arts and music. In my prior blog posts, I discoursed that integrated arts related subjects are not my strongest curricular areas, but as this module progresses I feel I am becoming significantly more confident in my abilities and my capacity of … Continue reading Intergrated Arts- Visual Arts and Music 26/9/17

This  weeks Integrated Arts inputs where vastly engaging. The inputs focused on the visual arts and music.

In my prior blog posts, I discoursed that integrated arts related subjects are not my strongest curricular areas, but as this module progresses I feel I am becoming significantly more confident in my abilities and my capacity of teaching the integrated arts in a classroom environment.

During this week’s visual art input, I realised that the visual arts are not concerning seeking perfection, but in fact the individual’s ability to create art work that is unique, abstract and symbolic to them. In order to create distinctive art work, we produced our own paintbrushes, we were supplied with a range of materials- a wooden stick was the bases, to design the stick there was wool, cotton wool, feathers, string and other small objects. From the outset, the art work of class inevitably would not be uniformed, however within a primary school environment pursing for uniformity can be challenging, as segments of art can be intricate and complicated for pupils. It is therefore important to allow different variation of art work that represents the individual unique skill set (Holt, 1997). Children will get great satisfaction and achievement from making their own paintbrushes, it a perfect opportunity for them to develop divergent pieces of work.

 

 

Once we created our paintbrushes, we then continued onto paint using our paintbrushes. The lecturer read out a Scottish Highland scenery that was concealed from us, the lecturer described the image using straightforward language. By using this method of delivering the lesson we rendered our own perspectives of the image and created unsystematic art work using the paintbrushes and different colour and size of paper When painting I felt some uncertainty and was hoping that the painting would turn out how I was expecting it to. Within the classroom it is important to keep in mind that art should fun and engaging for children, however as children progress through their primary education, they are more aware of their abilities in which they will often compare to their peers and also will be less eager to experiment in subject areas. ‘Some children find art and design lessons frustrating, and would be far happier if there was less mess and greater certainty’ (Kay and Stillman, 2009, p.2).

 

 

Before the visual art session, I would not normal like to paint due to the mess generated, but my view has changed, as I found painting to be therapeutic and stimulating, and I am now inclined to paint in the classroom. In order to reduce mess, it is important to have good organisation of resources, using A3 paper children will be able to make their own disposable mixing palate, likewise ensuring the desks are kept protected this can be done by drawing a boundary around the paper and using newspaper as table covers (Cox and Watt, 2007).

The focal point of the music input was understanding how to play a glockenspiel using figurenotes. Figurenotes are coloured and different shape stickers that can be used on musical instrument to represent musical notes and has matching coloured music sheets. Despite being unable to play a musical instrument I would now be able to facilitate children’s musical instrument by using figurenotes as it easy to understand and there is no need to read musical notes. Also, this week we were introduced to Charanga, a primary education website that has a range of music lessons, songs and musicals that can be implemented in the classroom. Knowing that these resources are available is giving me more confidence in relation to teaching the arts to their fullness and ensuring children are acquiring skills from the arts too.

What I assimilated from this week’s input I can relate to the Tallis Habit Pedagogy Wheel (2013), within the persistent category. Within the visual arts input I was ‘tolerating uncertainty’, as I created a paintbrush and was unsure if I had the ability to paint an unseen picture. Within the music input I was ‘sticking with difficulty’ initially I found playing the musical instrument challenging but I ‘persevered’, remained ‘focused’ and by the end of session I felt confident enough to implement within a school setting.

 

References

Cox, S, Watts, R. (2007) Teaching Art and Design 3-11. New York: Continuum International Publishing.

Key, P, Stillman, J. (2009) Teaching Primary Art and Design. Exeter: Learning Matters

Holt, D. (1997) Primary Arts Education: Contemporary Issues. Guildford: Biddles

Tallis, T. (2013) Tallis Habits Pedagogy Wheel. [Online] Available: http://www.thomastallisschool.com/tallis-pedagogy-wheel-guide.html. [ Accessed on 27 September 2017]

Week 3

Integrated Arts – Learning in and Through The Arts – Week 3 Throughout this weeks lecture and seminar inputs we were presented with the unknown or art and music. Visual Art […]

Integrated Arts – Learning in and Through The Arts – Week 3 Throughout this weeks lecture and seminar inputs we were presented with the unknown or art and music. Visual Art […]

Week 2

Integrated Arts – Introduction to Child Development Within Arts (Week 2). Week 2 In this weeks Integrated Arts module, we analysed ‘Introduction to Child Development Within Arts’. For this to be […]

Integrated Arts – Introduction to Child Development Within Arts (Week 2). Week 2 In this weeks Integrated Arts module, we analysed ‘Introduction to Child Development Within Arts’. For this to be […]

Child Development in the Arts- Week 2

“Children need the freedom to appreciate the infinite resources of their hand, their eyes and their ears, the resources of forms, materials, sounds and colours”- Loris Malaguzzi. For me, this quote highlights the importance of giving children the opportunity to harness their knowledge and skills as well as developing new skills and abilities in the … Continue reading “Child Development in the Arts- Week 2”

“Children need the freedom to appreciate the infinite resources of their hand, their eyes and their ears, the resources of forms, materials, sounds and colours”- Loris Malaguzzi. For me, this quote highlights the importance of giving children the opportunity to harness their knowledge and skills as well as developing new skills and abilities in the arts.

This was our second week in the integrated arts module.  The focus this week was on how a child’s artistic abilities develop in the arts, as they grow older and continue throughout school. Prior to the class, we were required to read two readings: Fleming (2012) and McAuliffe (2007). These readings were very insightful, useful and knowledgeable in helping our understanding of how a child’s cognitive development can grow and develop in the arts.  It also highlighted ways in which we as educators should be aware of the importance of art and how we should interact with individual children.

Fleming’s “The Arts in Education” was insightful into the value of art and why it should be justified in the curriculum. It suggests that the arts can have a positive impact on the development of children. We looked further into the chapter “An introduction to aesthetics, theory and pedagogy”in our lecture.  We were each given a page of the chapter we had already read and were asked to annotate it with visual drawings of the meaning behind the text.  I was given page 8, the part of the text that i focused on was when a child asked why they were doing this task, and immediately the teacher sent him out of the room.  I decided the best way to capture this point was by drawing doodles of the situation.  I thought this was an excellent way of understanding deeper meanings throughout the text, it is an effective tool in developing contextual understanding, evaluation and analytic skills in children.  As well as that it also allows the learners to develop skills that they might not be able to express with the written word. It is also an efficient way of connecting literacy with art, it allows for a more fun, interesting and effective lesson.

Throughout the lecture, we also looked at Elliot Eisner’s ’10 Lessons the Arts Teach’ looks at the importance of the arts and how it is a crucial lesson for allowing children to experience and evolve with the vast areas of the arts. Lesson 5 was one that stood out to us as a class as it basically suggests that we know more than we can say and the arts show that no words or numbers can stop on what we can know and that “the limits of our language do not define the limits of out cognition” (10 lessons the Arts Teach). I found that this resource will be crucial for me, as an educator, to ensure that i allow the children the best opportunity to experience the positive impact that the arts can have on their wellbeing.

In the workshop, we got the chance to analyse different pieces of art created by children at different stages of development.  The article we read by McAuliffe connected very well with this part of the workshop, it allowed me to understand a child’s development in the arts a lot better as i had already researched it. Lowenfeld and Bittain (1987) suggested that artistic abilities grow and develop in 4 stages: scribble, pre-schematic, schematic and the gang stage. It was designed to help teachers engage and understand more about a child’s work.  However, McAuliffe suggests that with time changing and advances in psychology and other factors that it is not as simple to just “slot” children into stages.  It is important to remember that all children develop and grow differently and its not as easy to have each child in a stage as every child is unique.

Furthermore, as an educator we need to realise that with a young child’s drawing, it might just look like a series of random lines or marks to us but to them it could be their whole world, it could be a fire engine going down a road at 60 mph. Therefore, it is crucial that we always listen to what the child says about their drawing and show that we value their creation.

This picture was created by an early level child, where his pencil managed to stay in contact throughout the whole picture. This stage of development in art means his fine and gross motor skills are developing at a pace that is suitable to him.

As children grow older, they become more focused and pay more attention to detail and features.  They begin to modify and refine shapes, focus on the placement and size of the objects.  However, some children do have a fear of not being accurate with their work (McAuliffe, 2007). As educators, we should ensure that we give the children the appropriate resources and a wide range of media to develop the ability to make these marks.

The child has decided to draw two parrots, they have paid attention to detail and experimented with a range of bright colours.

Moreover, understanding that the arts is a subject that an be incorporated into various areas of the curriculum will make for a more meaningful and fun learning experience for the children. It is important that as teachers we don’t forget about the value and importance of art, even though in the majority of schools literacy and numeracy often take priority. However, if we incorporate both subjects into the one lesson then no subject is more important than the other.  Activities such as reading a passage and taking key words or points but doodling an image can express and help a child understand the passage in a whole other light. Children are able to express a theme related to literature through a drawing and can express their understanding of literature through art.

This picture is a clear representation of interlinking literacy and art. These children have displayed a range of words but have drawn visual representations of how the words sound.

Overall, from today’s lecture and workshop i have gained more knowledge on ways to support the development of children through the arts.  It is crucial that we allow the children the opportunity to develop their skills, knowledge and abilities in the arts. I want to continue to participate and learn more about this topic as i believe it is an important area that needs to be taught more throughout schools.

References:

National Arts Education Association. (n.d.) 10 Lessons the Arts Teach [Online] Available: https://www.arteducators.org/advocacy/articles/116-10-lessons-the-arts-teach [Accessed: 21st September 2017]

Fleming, M. (2012) The Arts in Education: an introduction to aesthetics, theory and pedagogy. London: Routledge.

McAuliffe, D. (2007) Foundation and Primary Settings. In Teaching Art and Design 3-11 [Edited by Sue Cox, Robert Watts, Judy Grahame, Steve Herne and Diarmuid McAuliffe] London: Continuum.

Early Learning HQ. (n.d.) Loris Malaguzzi [Online] Available: https://www.earlylearninghq.org.uk/latest-resources/inspirational-quotation-loris-malaguzzi/ [Accessed: 2oth September 2017]

Integrated Arts – Week 1&2

“Art is the literacy of the heart” – Elliot Eisner Weeks one and two of the Integrated Arts module focused on the drawing and music areas of the arts. In music, we focused on the emotional aspect of music: how different pieces of music can affect a person’s mood and feelings, but also how a …

Continue reading “Integrated Arts – Week 1&2”

“Art is the literacy of the heart” – Elliot Eisner Weeks one and two of the Integrated Arts module focused on the drawing and music areas of the arts. In music, we focused on the emotional aspect of music: how different pieces of music can affect a person’s mood and feelings, but also how a …

Continue reading “Integrated Arts – Week 1&2”

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