Category Archives: Subjects

Feis Rois, Traditional Music and Gaelic Arts (a Co-Create demonstration project)

ABOUT

Fèis Rois brought together P5-6 pupils from two Aberdeenshire primary schools and two Highland special education units for pupils with complex additional support needs. The project supported schools to work with artists to learn the art of traditional storytelling, music and song writing.  The young people used the stories they were told as inspiration and stimulus for composing their own songs and stories, which they shared with each other through Glow.

Click here to watch 5 minute video

In most of the schools, activities were delivered through regular short workshops, with each session building on the last so that pupils were introduced to traditional storytelling, then traditional music and instruments. Over the weeks, their learning contributed to writing, composing and performing their own songs. At the end of the project each school spent a day with sound engineers to record their material and a CD of this was given to each school.

P5/6 Pupils in Aberdeenshire worked with a traditional storyteller, Ruth Kirkpatrick, to learn about the art of telling stories and the history behind traditional tales.  The classes worked on the stories Ruth taught them outwith the scheduled time to make story plates and sticks.

Musicians Findlay Napier and Angus Lyon worked with the classes to create their own compositions and songs around the stories pupils had been working on.

In the secondary school in Aberdeenshire, pupils spent three consecutive days, off timetable, taking part in dance, music and storytelling workshops and creating their own songs and artistic interpretations of their culture.  These were recorded onto CD and also performed live as part of a performance evening with the two feeder primaries.

The pupils in Highland worked with Fèis Rois to learn about traditional music and the art of song writing. Applegrove school used their class topics as stimulus for creating songs and the pupils were introduced to and taught about a different instrument each week.  Both schools worked with song writer, Jim Hunter, musician Colin Mclean and Rachael Duff from Fèis Rois.

The two groups, including pupils, teachers and support staff, kept video diaries and interacted with each other using Glow tools. As the project developed, videos of pupils’ work, together with images and creative writing compositions were put up onto the project Glow group.

Throughout the project, pupils were immersed in traditional Scottish culture, and had the opportunity to enjoy performances by professional artists and performers. They developed new skills and created and performed their own work for others.

The approaches taken to activities and project delivery were tailored to account for the individual needs of pupils, as well as the timetabling restrictions in schools.


The project involved:

  • Fèis Rois Ltd
  • 2 musicians from Highland Alternative Music
  • 1 freelance storyteller
  • 1 freelance traditional dancer
    • 3 mainstream schools in Aberdeenshire (1 secondary, 2 primary);
    • 2 schools supporting disengaged learners and learners with additional support needs

Partners:

  • Aberdeenshire and Highland local authorities
  • Highland Alternative Music

PURPOSE

The project aimed to:

  • give young people the opportunity to learn about their cultural heritage through traditional music and the Gaelic language
  • all of this enables young people to engage in music-making and experience the inspiration and power of the arts

CURRICULUM AREAS

  • Expressive Arts
  • Health and Wellbeing
  • Literacy

LEVELS AND STAGES

P5 – P6 (stage 2); Secondary

TYPES OF LEARNING

Pupils gained from a flexible approach to learning and worked in groups to write and perform songs. They developed interpersonal skills through working directly with professional artists and performers and gained confidence from performing their own songs in a recording studio and infront of their peers.

IMPACTS

An independent evaluation was carried out by Blake Stevenson. Their research shows that the project had the following impacts:

New skills, knowledge and approaches for teachers:

The project supported an active approach to learning. It shared creative approaches such as a ‘mystery box’ of sensory objects and instruments to stimulate interest and provide prompts for composing and writing songs.

The Highland school saw how engaged pupils were with music and will try to incorporate different aspects of music and use of instruments into their teaching in future.

The project gave schools access to artists with specialist knowledge and skills, allowing both pupils and teachers to learn from external expertise in music and storytelling.

New skills and knowledge acquisition for pupils:

  • knowledge of Scotland’s cultural heritage, including traditional music, dance and storytelling;
  • storytelling and song writing skills
  • increased confidence in playing instruments and performing
  • applying interdisciplinary learning across English and Music
  • technological skills relating to aspects of filming and recording
  • working with arts specialists and developing interpersonal skills

The project supported pupils to achieve progress in the following ways:

Responsible Citizens – through exploring Scottish traditions, pupils developed a greater knowledge and understanding of Scotland and its history and culture as well as increased respect for others

Effective Contributors – the project supported pupils to work in teams to produce and perform material

Successful Learners – pupils demonstrated enthusiasm for the use of musical instruments and engaged well with Feis Rois staff to produce their own individual creative material

New skills and knowledge for Fèis Rois:

Fèis Rois project staff and artists gained a greater understanding of how to deliver effective workshops to disengaged learners and learners with additional support needs.

They gained a greater understanding of working with schools, in particular that working with ASN schools requires a flexible approach to structure and timetabling.

The project allowed Fèis Rois to develop new relationships with a number of artists and performers and to strengthen their relationships with schools and specialists they had previously worked with.

CHALLENGES

Some of the schools did not actively involved themselves in project planning and delivery which resulted in a number of challenges including difficulties accessing rooms, working space and resources. Where some teachers had a more hands off approach, Feis Rois found there was reduced capacity for collaborative working between the schools and the artists.

Young people from the school for disengaged learners had the opportunity to opt into the project, making attendance unpredictable and reducing continuity of participation

Project timescales slipped slightly due to the adverse weather conditions in Scotland in December 2010. Sessions were rearranged.

The project experienced delays getting Glow logins for pupils and staff. As a result Fèis Rois staff uploaded project work for the schools until they got their login details and have been involved in providing some basic Glow training on how to upload materials to Glow.

KEY LEARNING

The special needs school in Highland, whose pupils are also enrolled in mainstream schools, had not used Glow before, and felt that Glow offered great potential for their pupils in terms of being able to post pupils’ work on Glow, demonstrating to their mainstream peers their activities and accomplishments outside of school.

The partnership model developed between Fèis Rois and the Highland schools was found to be effective by all partners, resulting in tailored provision of activities to suit individual school and pupil needs. One teacher commended the project for their patience and flexibility and ability to learn from the school to provide suitable support to their pupils.

In future Fèis Rois will have a better understanding of the challenges facing schools, including access to equipment, training and accounts for using Glow. They will build additional time into project planning to alleviate the challenges created by these issues.

FUNDING

Co-Create was funded through a partnership between Learning and Teaching Scotland and Creative Scotland’s National Lottery Fund. 

For more information contact:

Rachael Duff, Fèis Rois, rachael.duff@feisrois.org

Project Glow Group

Fèis Rois Website


TAG, Don’t Start Me! (a Co-Create demonstration project)

ABOUT

TAG worked in partnership with Strathclyde Police to deliver a multi-artform interactive project in 19 different Glasgow primary schools. The project explored the origins of violent and criminal behaviour and was aimed at P3 and P4 pupils. The children saw a live professional theatre production, took part in drama workshops and took a ‘behind the scenes’ look at how a play is made by taking part in live web conferencing, direct from their classrooms into the Citizens Theatre.

In the play, Don’t Start Me!, a 9 year old boy, Craig gets involved with his older cousin Johnny’s gang, resulting in serious consequences for Craig and his classmates. Prior to seeing the play in their schools, pupils and teachers became familiar with the play and its characters through the project Glow group, which contains a body of teaching resources for pre and post performance activities complete with CfE Experiences and Outcomes for teachers.

Pupils were invited to find out about Craig, his mum Sandra, his sister Jamie Lee and cousin Johnny by reading character cards for each of them. They created their own character card and comic strips depicting a scenario from Craig’s story and shared them via Glow.

Through Glow Meet, children were able to watch a rehearsal and meet the actors and director of the play, and they also met PC Geoff Smith, an officer from Strathclyde Police, to talk about issues raised by the play.

Click here to watch 5 minute video

THE PROJECT INVOLVED

TAG, Citizens Theatre

19 primary schools in the Southside and East End of Glasgow

2 classes in each school – P3 and P4

1004 pupils

44 teachers

PARTNERS

Strathclyde Police

Glasgow local authority

PURPOSE

The project aimed to:

  • explore the origins of violent and criminal behaviour;
  • educate young children in the choices open to them if they find themselves in difficult social situations;
  • break down barriers between the local community and the police;
  • develop pupils’ and teachers’ awareness of Glow and ability to use Glow

CURRICULUM AREAS

Expressive Arts

Health and Wellbeing

Social Studies

Technologies

Religious and Moral Education

LEVELS AND STAGES

P3 and P4

TYPES OF LEARNING

The project involved pupils in group work, active learning, interdisciplinary working and learning outside the classroom

PROJECT ACTIVITY

There were many strands to the project, including:

  • each school saw a live theatre production of a new play, ‘Don’t Start Me!’, which explored the origins of violent and criminal behaviour;
  • each class participated in a professionally led post-show drama workshop;
  • online resources (via Glow group) available for teachers to access (pre and post show);
  • a number of Glow Meets taking place during the project – including a ‘behind the scenes’ glimpse of the rehearsal process, interview with the director and actors, and with a policeman from Strathclyde Police;
  • video clips for the pupils and teachers to access and use during lessons
  • four CPD training sessions to prepare the teachers for using Glow
  • a film maker worked with four ‘Key Schools’ to film feedback and pieces of drama that the children prepared in response to seeing the play;
  • online discussions and sharing of information between the teachers involved;
  • TAG worked with the Young Women’s Project in Bridgeton, Glasgow. 6 sessions took place whereby TAG tutors worked with the young women and a film-maker to create video clips for the Glow group.

HOW WAS GLOW USED?

Glow was an integral part of every stage of the project:

  • Glow Meets held with the actors/director in the play and a Police Officer;
  • TAG posted teaching resources, tasks and video clips of the play for teachers to access and use with their classes;
  • Pupils and teachers documented the progress of the project using the Glow group picture gallery and discussion board

IMPACTS

An independent evaluation was carried out by Blake Stevenson. Their research shows that the project had the following impacts:

New skills, knowledge and approaches for teachers

  • using drama more effectively in the classroom
    • increased confidence in using creative methods in teaching, particularly for challenging subject areas.
    • training in and experience of Glow
    • recognising the value of working with arts specialists.

New skills and knowledge acquisition for pupils

The project promoted the following key learning:

  • awareness of choices and consequences, and the problem of peer pressure;
  • an understanding of the risks of joining a gang, and the origins of violent and criminal behaviour; and
  • awareness of the role of the police
  • knowledge and experience of Glow and Glow Meet

The project supported pupils to achieve progress in the following ways:

  • Successful Learners – during the work of the project pupils were enthusiastic learners, and became open to new thinking and ideas about gangs, peer pressure and decision making. Pupils became better at communicating, thinking independently and making reasoned evaluations.
  • Responsible Citizens – as a result of the project pupils learned to respect others, make informed choices and decisions, evaluate environmental issues and developed informed and ethical views of complex issues.
  • Confident individuals – the project increased pupils’ self-respect, and their sense of emotional and mental well-being and helped them to have more secure values and beliefs. Pupils became better able to relate to others and manage themselves, be self-aware, develop and communicate their own beliefs and view of the world and assess risk and make informed decisions.
  • Effective contributors – the project supported pupils to develop resilience and self-reliance, and increased their ability to work in partnership and in teams, communicate in different ways and in different settings, apply critical thinking in new contexts, create and develop and solve problems.

New skills and knowledge for TAG

  • TAG noted the value of being able to do pre/post visit activities with the pupils, as this prepared them for the performance, increased engagement and meant pupils got more out of the whole experience.
  • Staff  felt the main benefits of the project were that they had been able to deliver live performance in schools and learn about Glow.
  • TAG developed new relationships with Glasgow schools, and strengthened their existing relationship with Strathclyde Police.

Technical and Practical Challenges:

Project timescales slipped slightly due to the adverse weather conditions in Scotland in December 2010. Sessions were rearranged with minimal disruption.

Glow was new to everyone involved in the project which was challenging for teachers who had limited time to learn (and to take on the project as a whole). However, the project provided an exciting incentive for all to learn how to use it and most participants are keen to use Glow again in the future.

Some schools did not have all the equipment to make the most out of Glow Meets (web cam, mic) others experienced technical problems during Glow Meets such as poor sound and image quality.

TAG suggested that more experienced Glow users may have made greater use of Glow (e.g. discussions, forums, evidencing work) and that the Glow group had perhaps not been as interactive as it could have been. In addition, Glasgow pupils had not yet been issued with Glow accounts; they were keen receive logins having experienced Glow through the project.

KEY LEARNING

The project had a large impact on the pupils taking part. They were really engaged by the delivery method, learned about issues relevant to their lives (particularly around gangs, violence and peer pressure), which teachers suggested there was a real need for, and were encouraged to be able to make good decisions.

The project also enabled young people to speak with a local police officer, and learn that the police are there to help them, which may help to improved relations between young people and the police locally.

The project was successful in encouraging some teachers to think more creatively about teaching, and it encouraged some of them to consider how they could use drama more in their teaching practice.

TAG felt that the work done on the Glow group was also a really successful element of the project, as it left a resource that can be used by other teachers and schools in future, and it encouraged some pupils and teachers to use Glow more.

Another positive aspect of the project was that teachers were able to get as much out of it as they wanted, with plenty of additional work suggested by the arts organisation, but with room for teachers to expand on/adapt this where they wished.

Staff in one school suggested that if you want to encourage teachers to start using Glow, it is a good idea to try to engage them with their passion, on a topic they are interested in, for example drama (as this project did). They felt this was the best route to encouraging more teachers to start using Glow.

FUNDING

Co-Create was funded through a partnership between Learning and Teaching Scotland and Creative Scotland’s National Lottery Fund.

For more information contact:

Angela Smith, TAG, angela.smith@citz.co.uk

Don’t Start Me! Glow Group

Citizens Theatre Website

TAG website


LOOK! (Pier Arts Centre, Orkney)

ABOUT

LOOK! was developed as an enterprise project for primary one pupils and was designed to introduce pupils to a creative environment and to help them understand and apply enterprising skills. Over several months during 2007/2008, 20 pupils from Class 1 at Dounby primary school were involved in researching all aspects of the Pier Arts Centre’s activity. They examined the ‘behind the scenes’ aspects of running an Arts Centre and were direct involved in curating and marketing their own exhibition and organising a preview event for parents at the gallery.

LOOK! involved:

  • – 20 P1 pupils from Dounby primary school
  • – 3 teachers (a head teacher, a visiting specialist and the class teachers)
  • – All of the Pier Arts Centre Gallery staff
  • – Scottish Arts Council funded trainee education worker
  • – Parents and families
  • – P1 pupils from Stromness primary school

PURPOSE

The aim was to provide a practical and active learning experience in a non-school environment.

LOOK! was developed by the Arts Centre Education staff in collaboration with Dounby Primary school for the following reasons:

  • To support schools provide creative and imaginative learning in partnership
  • To develop a strong relationship between Orkeny island Council and the Arts centre
  • To engage young parents in a rural community with the schools and the arts centre
  • To demonstrate the role the visual arts have in the delivery of other curriculum areas besides the expressive arts.

It was also intended for the pupils to develop an understanding of what goes on ‘behind the scenes’ at an art gallery and for them to know and understand the various jobs that are undertaken by gallery staff. Children took on and delivered these tasks themselves in a practical and real working environment with gallery professionals

CHALLENGES

The challenges delivering the project were mainly to do with working with such a young age group and how the staff engaged the children with the complex organisational structure of the Arts Centre. A good deal of support was given to teachers and children helping them to understand the process and integrate the ideas. They also provided support in helping the children make critical decisions and select the artwork for the exhibition.

Other challenges were:

  • – practical transport issues
  • – managing a large number of young children in the gallery
  • – the amount of arts centre staff time
  • – ensuring active engagement with the project

All these were overcome by planning and evaluating in partnership as the project evolved and by involving teachers, parents, the trainee education worker at the gallery, visiting specialist teacher and support staff.

IMPACTS

The pupils have made many return visits to the gallery, giving their friends and families ‘tours’ of the artwork especially the permanent collection housed at the gallery

The ‘preview’ event allowed for teachers to meet parents in an informal occasion – especially some who had been difficult to encourage into the school environment

OTHER

Partners:

  • – The Pier Arts Centre
  • – Dounby Primary School
  • – Orkney Island Council

Levels and stages:

  • – Early
  • – P1

Funding:

  • – Pier Arts Centre core budget

For more information contact:

Carol Dunbar, Education Office, The Pier Arts Centre on 01856 859 209 or email carol.dunbar@pierartscentre.com

Or visit:

http://pierartscentre.com/education.html

Authors Live (Scottish Book Trust)

ABOUT

The Authors Live programme exploits cutting-edge technology to bring the best children’s authors to children, young people and their parents across the UK. The project broadcasts children’s author events live over the internet, in conjunction with the BBC. The events are also recorded and available to watch and download from the Scottish Book Trust website.

The project successfully engages parents in sharing the same high-quality arts activity their children take part in at school. Video recordings of the events are available to watch and download from the Scottish Book Trust website.

The Scottish Book Trust provides teachers resources for each event suitable for the age group and stage of that particular event before-hand. The resource features activities for preparation for the event, links to the actual event and suggestions for activities to follow the event up. Each resource also clearly signposts links with Curriculum for Excellence and covers experiences and outcomes across all appropriate levels and in a wide range of curriculum areas. You can visit the Scottish Book Trust Events Glow group to watch our events through Glow Meet.

There are links to the live events and more at the foot of this page.

Michael Rosen Michael Rosen Michael Rosen

PURPOSE

Scottish Book Trust’s main objectives for the Meet Our Authors programme are:

  • – to meet soaring demand for the best children’s author events
  • – to allow as many children as possible to participate, no matter where they live or what their economic circumstances are
  • – allow teachers to access transformational events from the comfort of their UK classroom, at no cost to the child or school

Julia Donaldson Julia Donaldson Julia Donaldson

The aim is to introduce pupils to the great quality literature that is available and for them to understand the connection between the books they enjoy and the person who wrote them. A further aim is to support pupils to understand the benefits and pleasures of discussing books with their peers, parents and teachers, and build up a relationship with their favourite authors.

To date the programme has featured a wide range of top authors, including Julia Donaldson, Michael Rosen, David Walliams, David Almond and many more. Two further events are planned with Polly Dunbar and Tony Robinson: schools who register to watch will be entered into a prize draw to win one of five class sets of the author’s books for each event.

Accessing the author events were:

  • – 32 local authorities
  • – c. 105,000 children and young people (Michael Rosen)
  • – c. 82,000 children (Julia Donaldson)

Craingentinny - Julia Donaldson Event Michael Rosen Julia Donaldson

IMPACTS

Feedback from events:

  • “Great to involve children directly. My children felt very special to be spoken to by Julia herself!” (Teacher, Niddrie Mill Primary School)
  • “We really enjoyed the event and all the children loved the song and the visit from the Gruffalo. We had used the ideas from the teacher resources and had been focussing on Julia’s books for a few weeks before the event so it made a great climax to our work.” (Teacher, Burravoe Primary School)
  • – “It was wonderful to be able to provide an event for World Book Day without breaking the budget.” (Teacher, Coleraine High School)

The events have provided a stimulus for some fabulous teaching practice. Whether you just want to dip in and do one activity, or you want to do an extended project, Scottish Book Trust have resources and case studies to help you. Visit the ‘Get the Most Out of Our Programmes’ section of Scottish Book Trust’s site for more information.

OTHER

Partners:

  • – Scottish Book Trust
  • – BBC
  • – Schools, nurseries and parents across the UK

Levels and stages:

  • – First, second, third and fourth levels (Michael Rosen)
  • – Early and first levels (Julia Donaldson)
  • – P1 – S3

Funding:

  • – National Lottery Inspiring Communities Fund
  • – Scottish Friendly Assurance

For more information contact:

Jasmine Fassl, Children’s Programme Manager (Scottish Book Trust) on 0131 524 0160 or email jasmine.fassl@scottishbooktrust.com

Links:

Authors Live page on Scottish Book Trust website: http://www.scottishbooktrust.com/meet-our-authors/childrens-authors-live

Below are three previous events which should give you a flavour of the programme:

Authors Live Poetry Slam (S1 to S6)

Full-length event: http://www.scottishbooktrust.com/podcasts/video/authors-live-poetry-slam

Highlights from the BBC website: http://www.bbc.co.uk/programmes/p011pfsx

Resources: http://www.scottishbooktrust.com/poetry-slam-resources

A great blog by Peter Kelly from Holy Cross High School about his use of the event: http://www.scottishbooktrust.com/blog/2013/01/authors-live-preparing-for-a-word-war

A teaching resource designed by Helen McKenzie from Lanark Grammar School: www.scottishbooktrust.com/discursive-writing-activities-to-prepare-for-a-rap-battle

Authors Live with Oliver Jeffers (Nursery to P3)

Full length event: www.scottishbooktrust.com/podcasts/video/authors-live-oliver-jeffers-full-broadcast

Highlights from the BBC website: http://www.bbc.co.uk/programmes/p00tjp0r

Resources: www.scottishbooktrust.com/learning/teaching-resources/author-resources/oliver-jeffers

Authors Live with David Walliams (P4 to S2)

Full length event: www.scottishbooktrust.com/podcasts/video/authors-live-david-walliams-full-broadcast

Highlights from the BBC website: http://www.bbc.co.uk/programmes/p00t1pj2

Resources: www.scottishbooktrust.com/learning/teaching-resources/upper-primary/author-resources/david-walliams

A blog from Mairi Livingstone at Easdale Primary about using the event to inspire her pupils in writing: http://www.scottishbooktrust.com/blog/learning/2012/08/dear-mr-walliams

Meet Our Authors Online Hub links:

http://www.facebook.com/meetourauthors

http://twitter.com/meetourauthors

http://www.youtube.com/meetourauthors

The Book I will Never Forget (Scottish Book Trust)

ABOUT

The Scottish Book Trust worked with Bishopbriggs Academy to adapt the ‘Book That Changed my Life’ campaign for use in a schools context.  The pupils at Bishopbriggs adapted the project to The Book I Will Never Forget and spent a week collecting stories, interviews and writing their own personal response to the project.  Collectively, they developed a series of podcasts sharing a range of stories around the topic.

The project developed support materials for the project, following planning meetings with the Principle teacher of English, which clearly linked the project with Curriculum for Excellence – particularly the Literacy and English outcomes and Experiences.  Because the project was implemented in Bishopbriggs as part of Determind to Succeed, the approach also focussed on skills for life, and included interviewing techniques, collaborative planning and working, team work and problem solving.

PURPOSE

The project was developed as part of the school’s enterprise approach with the aim of building a sustainable relationship with an organisation (Scottish Book Trust.)  SBT was interested in developing methodologies for schools to engage with The Book That Changed My Life. Supporting pupils at Bishopbriggs to develop their own version of the project offered an excellent opportunity to understand the impact of this campaign within the context of Curriculum for Excellence.

Scottish Book Trust wanted pupils to understand the impact and meaning that books can have upon individuals’ lives and to apply that understanding to their own reading.  It was the intention that pupils would develop knowledge of how to design and conduct an interview to gather desired information, and use that information to make podcasts to share the findings of the project.  By the end of the project pupils were able to share the story of the book they would never forget, make podcasts of interviews they had collected from the school population and its community.

IMPACTS

Evaluation with the participating pupils at the end of the project demonstrated that a majority of pupils agreed that this project had helped them to develop their talking and listening skills, and that the activity had made a positive impact on their attitude to reading.  Further to this, a large majority of pupils agreed that they had enjoyed this approach to learning and would like to do more activities like this in English.

Some feedback from pupils:

  • – the main aims of the project were made clear at the start of the project and they were set clear achievable targets
  • – felt they had successfully overcame a particular problem
  • – agreed that they were set a challenging task
  • – agreed the project helped them develop their talking and listening skills and that they enjoyed this approach to learning
  • – felt that the project had made a positive impact on their approach to reading

Bishopbriggs has been shortlisted for a Determind to Succeed award and this project formed a key part of their presentation to the prize committee.

OTHER

Partners:

  • – Scottish Book trust
  • – Bishopbriggs Academy
  • – Members of the community

Levels and stages:

  • – Third and fourth levels
  • – All S1 pupils

Funding:

  • – Scottish Book Trust staff time

For more information contact:

Philippa Cochrane, Learning Manager (Scottish Book Trust) on 0131 524 0160 or email philippa.cochrane@scottishbooktrust.com

Or visit:

http://www.scottishbooktrust.com/learning

This View of Life – National Library of Scotland with TAG Theatre

ABOUT

‘This View of Life’ was an innovative partnership project between a theatre and a national collection, designed to create a learning experience for pupils and demonstrate the powerful potential of inter-disciplinary learning. Over a two year period Learning staff at TAG and National Library of Scotland (NLS) worked with the Scottish Arts Council funded writer-in-residence. Together they developed a full day learning experience for schools, exploring the work and impact of Charles Darwin, evolution and our responsibilities to the planet, inspired by research in the collections at NLS.  The play and workshop series toured for five weeks around Scotland.

This View of Life - the set

This View of Life involved:

  • – 1,292 pupils
  • – 4 actors
  • – 1 playwright
  • – 1 director/producer

Experts from different fields worked collaboratively to create a model for communicating complex scientific ideas using drama.  During the development phase academics at Glasgow University and the Hunterian Museum and Art Gallery kindly gave of their time and expertise to support the project.  In addition, because the project focused on evolution, TAG liaised with a number of teachers at both Catholic and non denominational schools. TAG’s local primary school was invited to act in a consultative manner in the development of the play.

Through actively encouraging teachers to participate and offering CPD sessions the partners effectively demonstrated the potential for inter-disciplinary approaches to the teaching of science.

PURPOSE

The John Murray Archive learning programme at NLS develops innovative learning projects.  Its Writer-in-Residence works with the Learning Officer to bring a unique perspective to archive learning.  Together, they identified that working in partnership with a theatre and using drama, held great potential to develop a project to explore Darwin and his impact on society and modern thinking. The project that evolved, ‘This View of Life’, meets the aims of A Curriculum for Excellence.

Using participatory and active learning NLS and TAG aimed to harness the energy and excitement of theatre to help children understand the excitement of science and:

this view of life

  • – Develop a basic understanding of natural selection/inherited variation
  • – Develop skills to discuss and consider complex ideas
  • – Think about ‘big’ issues
  • – Be confident to ask questions
  • – Build confidence and skills to participate in drama
  • – Consider the future of the planet
  • – Foster connections between young people, the theatre and research institutions

Outcomes from Sciences and People, Place and Environment which complemented the theme of Darwin were used in the development of draft learning activities/scripts by NLS and TAG, which used TAG’s experience of Drama/The Expressive Arts to develop a truly inter-disciplinary approach.

Outcomes for Literacy across learning and Health and Wellbeing across learning were reviewed to ensure activity supported these areas.  Draft activities were developed over periods of rehearsal with a school local to TAG.

Partners engaged in dialogue with P7 teachers at several Catholic and non denominational schools to discuss where the project would complement the curriculum and to ensure Catholic schools were not discouraged from taking part.

IMPACTS

One follow up evaluation questions asked about pupil and teacher perceptions to using drama to learn about science.

  • – 264 (of 274) pupils said drama was a good way to learn about science:
  • Science is boring but drama makes it fun.” (pupil)

– Pupils demonstrated learning about Darwin and evolution:

  • “Being big and strong isn’t always good and being small is sometimes better.” (pupil)
  • “Even though we are all different we are all related.” (pupil)

– We encouraged pupils to be open to new ideas and ask questions.  These traits were demonstrated:

  • “Helped the children explore the importance of asking questions and then questioning the answer – so what about us? Why are we here? What’s the point of us?” (teacher)

It also benefited and developed learning practice at both partner organisations and demonstrated innovative arts learning techniques for interdisciplinary learning.

  • – The project included the development of Teachers Notes on learning activities focused on key themes from the play written by the learning staff at NLS and TAG. This will continue to be available via the NLS website and other routes (e.g. GLOW).
  • – TAG and NLS are continuing to use the skills and knowledge developed on this project to develop future work based around NLS collections which will be made available to schools across Scotland.
  • – TAG explored the potential to build links with partners to develop future performances of the play which were not successful.

this view of life

Teachers’ comments:

  • – Made them reflect and question the theory of evolution. Instigated a thirst for knowledge
  • – We had several children who have severe emotional/behavioural difficulties but every pupil interacted so well with the play and took something important from the experience
  • – Helped the children explore the importance of asking questions and then answering the question
  • – When we left the library the children were chatting to each other about how much they had enjoyed it and how they hadn’t expected it to be so amazing
  • – Very important messages were given and discussed
  • – Captured the mood an interest of all the pupils. Spoke the pupils’ language and explained theories/discoveries at the pupils’ level

Pupils’ comments:

  • the day opened up your mind to different ideas
  • – there are more discoveries yet to be made
  • – not to give up because Darwin didn’t give up
  • – drama is more fun and we are more likely to learn because we might not listen when we get told lots of facts

OTHER

Partners:

  • – National Library of Scotland
  • – TAG Theatre Company
  • – City of Edinburgh
  • – North Lanarkshire
  • – City of Glasgow
  • – Fife
  • – Hunterian Art Gallery (host partner)
  • – Summerlees Heritage Centre (host partner)

Levels and stages:

  • – Second Stage
  • – P6 and 7

Funding:

  • – National Library of Scotland as part of John Murray Archive project
  • – Scottish Government Science Engagement Grant
  • – A number of smaller donations

For more information contact:

Jackie Cromarty, Programme manager. Learning and Public Engagement on 0131 623 3843 or email j.cromarty@nls.uk

or go to:

http://www.ltscotland.org.uk/scotlandsculture/hef/nls.asp

Links:

Photographs taken by a professional photographer at a rehearsal with a school present for feedback are available on TAG’s flickr photostream and NLS and TAG are happy for them to be used:

http://www.flickr.com/photos/tagtheatre/sets/72157622494053806/

There is also a time lapse video of the set build on YouTube:

http://citz.co.uk/tag (you will need to scroll down to the bottom of the page)

What’s the War Got To Do With Us? – WWII and Heritage in Banff

ABOUT

Previous arts education work for schools developed by Aberdeenshire Council’s Cultural Co-ordinators on the Theme of World War II provided the perfect starting point to link Museums Galleries Scotland’s national project, ‘Remembering Scotland at War’.

‘What’s the War Got To Do With Us?’ engaged schools in Aberdeenshire in a multi-layered partnership brokered by the Arts Education Team. Emerging from work on the theme of WW2 around unique artefacts in the Banff area and Duff House Museum, artists and researchers were engaged to work with local schools and the community to create an exciting and informative exhibition.

Children's artwork

The project involved:

  • – 626 pupils in P6 – S2
  • – 38 teachers
  • – 1 academy and 3 primary schools
  • – 7 artists
  • – 1 researcher

PURPOSE

The project was build upon previous arts education work and it’s purpose was:

  • – To engage pupils with the topic of World War 2 through learning in partnership with the local community, heritage groups and professional artists
  • – To deepen understanding about World War 2, the local context and the impact on modern society  as well as the local community
  • – To reveal to teachers, pupils and the community, aspects of Duff House Country Museum  that are important resources but essentially unknown
  • – To create a virtual and touring and exhibition with the potential to education more widely and for use as a future teaching and interpretive resource

To develop opportunities where children and young people would benefit from working with creative professionals to simultaneously develop skills and understanding about World War 2 and in the expressive arts

activity at Duff house

CHALLENGES

  • – Short time scale between the receiving of the grant and the activating of the project was awkward
  • – Imminent loss of Cultural Co-ordinators, who were pivotal in the project and who retain a role in the project development
  • – Some of the best material in Duff House is extremely difficult to photograph.

The Arts Education Team was instrumental in working through the challenges.

“….. Arts Education team gave me sufficient information in advance to carry out the project to the best of my ability; the staff were well prepared, welcoming and supportive; the class teacher continued to work with the children between my visits.  The pupils enjoyed bringing the past to life through movement and acting.” (Charles Barron, actor and playwright)

working together

IMPACTS

The effects of the project were widely felt, it:

  • – Significantly raised the profile and relevance of Duff House, especially for educational purposes
  • – Raised the public awareness of the focus geographic area
  • – Gave pupils and school staff a valuable series of cultural experiences that significantly supported Curriculum for Excellence in an area that is remote from cultural hubs
  • – Raised the standard, quality and expectation of heritage and arts projects in the Banff area

“This was a great project; it fully engaged our upper stage pupils in the history of their town and gave them a useful sense of what it was like to live during those testing times. The project addressed many of the Experiences and Outcomes of the Social Studies, Expressive Arts and Technologies subject areas and helped us to ensure that our children were able to ‘learn in, about and through the unique natural, cultural and economic environment of Aberdeenshire and the North-east’- as recommended in the Aberdeenshire 3-18 Curriculum Guidelines.  It was a wonderful opportunity for our pupils to meet and work with professional artists and craftspeople and especially the researcher, Allan Burnett, who came with a knowledge and freshness that enthralled the children.”’ (Jenny Stone, Head Teacher Banff primary School)

“The knowledge that they were taking part in a joint project and that their work was going on display gave the pupils a boost and gave them more incentive.” (Violet Milne, craftmaker)

OTHER

Partners:

  • – Aberdeenshire Arts Education Team
  • – Museums Galleries Scotland
  • – Banff Heritage Group
  • – Boyndie Airfield Preservation Society
  • – Duff house Gallery
  • – Local citizens

Levels and stages:

  • – Second and Third levels
  • – P6 – S2

Funding:

  • – Aberdeenshire Council
  • – Scottish Arts Council
  • – Heritage Lottery Fund
  • – Friends of Duff House

For More information contact:

David Atherton, Arts Education Co-ordinator (Creative Links) on 01224 665363 or email david.atherton@aberdeenshire.gov.uk

Links:

Everyone’s A Critic – Scottish Chamber Orchestra

ABOUT

SCO Connect worked with staff and S5 and S6 pupils in Firrhill High School and Forrester High School in Edinburgh. Everyone’s a Critic takes a look at what it means to write about music and examines the ideas underpinning critical writing about the arts.

Over 3 months, students worked with a professional music critic and were given opportunities to attend concerts and write their own reviews with professional advice and feedback.

The project looked at the following ideas:

  • – critical analysis of the experience of attending a concert, not the music
  • – developing critical skills – listening and writing
  • – experience of live concerts
  • – engaging with the expressive arts and literacy experiences and outcomes

Everyone’s a Critic was not seeking to work through a deep and detailed musical analysis, rather, the project was about exploring the skills of writing about the experience of attending a live music concert.

Students attended an SCO concerts and wrote practice reviews. These reviews were read by a journalist who then provided each student with suggestions for improvement before they wrote a final review of a different concert.

The project introduced students to a specialist type of journalism, stressing the importance of working to tight deadlines. This gave students an opportunity to access the expertise of professional journalists and learn from the experience.

Everyone's a critic

Click here to read Firrhill High School Students’ reviews

Click here to read Forrester High School  students’ reviews

PURPOSE

The project was developed to encourage Higher Music and English students to listen critically to music, and develop the skills to write about a specialised subject. The design of the project was intended that the critical writing skills developed in response to listening to music and attending live concerts should be transferrable to other artforms and situations. The project also brought students to a series of concerts around Edinburgh featuring different repertoire and in different venues.

The project involved:

  • – 20 Higher Music and English students
  • – 3 teachers (2 x music and 1 x English)
  • – 1 workshop leader and full orchestra
  • – 1 professional journalist

Everyone’s A Critic was designed to link to the following Experiences and Outcomes:

  • – EXA 3-91a, EXA 4-19a
  • – LIT 3-02a, LIT 4-02a, LIT 3-05a/LIT 4-05a
  • – ENG 3-27a/ENG 4-27a
  • – LIT 3-28a, LIT 4-28a

NEXT STEPS

Scottish Chamber Orchestra plans to develop a resource for teachers on how to write critically about music. This resource will be available from the SCO Connect website. The resource should enable a wider audience to benefit from the aims of Everyone’s A Critic, not just those in the Edinburgh area.

SCO Connect is also investigating the possibility of any school in Scotland entering reviews of concerts to be submitted on the SCO website with possible feedback from a journalist giving suggestions for improvement.

SCO Connect is also exploring the possibility of offering Everyone’s A Critic through Glow.

OTHER

Partners:

  • – SCO Connect
  • – City of Edinburgh Council

Levels and stages:

  • – Senior Phase
  • – S5 and S6

Funding:

  • – SCO Connect Core budget
  • – City of Edinburgh Council

For more information contact:

Lucy Lowe, SCO Connect Director on 0131 478 8355 or email lucy.lowe@sco.org.uk

Links:

http://www.sco.org.uk/education-home

TRANSFORM, National Theatre of Scotland

ABOUT

Photo by Eamonn McGoldrick

Transform was designed with backing from and through collaboration with Determined to Succeed, Scottish Power Learning, local authorities and schools, as a creative and immersive means of connecting with the new curriculum.

Bringing together schools and communities with theatre professionals, the partnerships produced high impact theatre events that used the local environment as a backdrop to tell compelling stories. The development process as well as the final theatre events, made links across the curriculum and developed skills in all participants.

The National Theatre of Scotland placed a creative team into each of the schools and their communities, and together they created the vision and programme for their own Transform project. Working through a collaborative process with a wide range of partners and stakeholders, high quality theatre events were developed and performed. Each Transform had a dedicated budget with support from the National Theatre in the form of production, marketing and management resources. Each project was managed by a Steering Group comprising representatives from the school (usually the Head Teacher), the local authority and voluntary arts organisations in the local area.

On average, each Transform delivered approximately 230 two-hour workshop sessions (there were 2,292 workshops in total). The total audience at Transform performances was 5,999. There were 39 performances across the ten local authority areas.

Transform Aberdeen
Photo by Rhuary Grant

Over the course of 2 years, TRANSFORM performances involved:

  • – 935 individual pupils
  • – 201 community members

 

Photo by Eamonn McGoldrick

This underestimates the extent of pupil, teacher and community involvement as many more were involved in the processes that lead to the performances.

Transform projects took place in Aberdeen, Caithness, Dumfries, East Ayrshire, East Renfrewshire, Fife, Glasgow, Inverclyde, Moray and Orkney.

 

PURPOSE

Transform had four main objectives:

  • – artistic: to create the best possible theatre experience for audience and participants
  • – learning: to introduce theatre and creative industry practice as enterprise learning tool in schools and communities
  • – partnership: to create effective partnerships across the public and private sectors
  • – legacy: to ensure longer term benefits for partners and participants

 

Transform Caithness
Photo by Fin Macrae
Transform Dumfries
Photo by Zvonko Kracun

Transform was developed to contribute to and inform the future implementation of Curriculum for Excellence, and to assist in developing a sense of community pride. The fact that the Transform projects were about theatre and not simply drama was significant. Performing on stage was not the only way in which pupils could get involved. The projects addressed every stage in the process of producing a work of theatre from writing, staging and production, costume and production design, marketing and promotion. Through these activities, Transform projects aimed to develop a range of skills in participants.

The process, (working with professional creative teams) sought to achieve the following for young people:

  • – the development of a range of skills for learning, life and work
  • – an awareness of and participation in a creative and artistic process
  • – improved relationships – with peers, school, community
  • – increased confidence in planning and presenting their thoughts, opinions and the results of their efforts

 

IMPACTS

Transform was evaluated by Ekos Ltd. and in seeking to provide an account of the impacts, Ekos focussed their research on the four main participant groups:

  • – pupils
  • – teachers
  • – schools
  • – communities

 

Impacts on Pupils:

The projects were universally reported to have had a positive impact on the pupils:

Photo by Fin Macrae
  • – self confidence
  • – belief in their own abilities
  • – self esteem
  • – learning in that they developed new skills
  • – interest in the arts and creative activity
  • – attitudes towards learning

 

The range of choices offered engaged pupils who might not otherwise take part in drama activities and broadened their understanding of theatre and the professional opportunities within the industry.

“By the time the performance came I was confident enough to operate a pretty scary sound desk. I’ve now thought about a whole new range of careers because of Transform.” (pupil)

All teachers questioned reported that the year groups that had participated had become more cohesive, many citing specific instances in which barriers between groups of pupils had been broken down by the shared experience of working together on the production. This translated into more productive work in the classroom thereafter.

“Before the project we all had little groups which we were always in but by the end we had become close friends. I worked with people I wouldn’t have before.” (pupil)

The attitudinal impacts are perhaps the most significant. Teachers reported that following the Transform experience pupils were more settled and more positive about school, and that they appeared more motivated to learn. Many teachers also reported that pupils had developed a greater sense of responsibility for their own learning and in many case the pupils were required to take on extra work to catch up on lost classroom time which they did willingly.

These impacts were often most visible evident amongst pupils typically regarded as either having behavioural issues of lacking in confidence. Many teachers described the impacts on these pupils in transformational terms, such as:

  • – pupils working on the project in their own time
  • – unexpectedly choosing to stay on at school
  • – making new or unexpected subject choices as a result of Transform

 

Transform Dumfries
Photo by Zvonko Kracun

In terms of impact on attainment, at the time of the Ekos evaluation, it was considered by most schools to be too early to say. However, expectations were broadly positive.

In one school, the year group that participated in Transform had achieved the highest aggregate Year 4 results for some years, and none of the Transform participants had performed worse than expected, with many exceeding expectations. This was attributed to Transform.

Some teachers were concerned that the loss of class time may affect exam results. In one case a teacher reported a drop in attainment in prelim exams attributing this to time lost to Transform. Interestingly, the teachers expressing this concern talked very positively about personal, behavioural and learning benefits of the Transform process, suggesting the link between these and attainment in exams is not well established.

Impacts on teachers

Transform was met with a full spectrum of different attitudes ranging from complete commitment and enthusiasm to outright scepticism and even hostility. There was however consistent feedback that many of those that  were initially sceptical about the value of Transform, were at least partly converted by the end of the process, particularly when they observed the quality of the end performances and the impacts on pupils.

Impacts on teachers can be summarised as follows:

  • – raised awareness of the ways that learning can take place in differenent contexts
  • – raised profile and status of arts activities as a valuable learning context
  • – some individual learning benefits and skills development through involvement
  • – more encouraged to take risks
  • – developed trust in other professionals, even when there were initial doubts
  • – level of input from staff exceeded initial expectations
  • – some teachers would like to have been more involved in the projects
  • – 2 head teachers reported that the school as a whole might have benefited with wider staff involvement
  •  – significant demand on teaching staff with some head teachers having to devote time and energy keeping teaching staff on board

 

Transform Orkney
Photo by Alistair Peebles

“The experience was also transforming for the school staff. Watching the pupils develop throughout the rehearsal period was, personally and professionally, inspirational.” (Deputy Head Teacher)

 

CHALLENGES and LEARNING

Challenges:

Working within curriculum time:

  • – managing school timetables and space requirements
  • – accommodating a flexible, creative process within highly structured school environments
  • – ensuring effective communications between creative teams, school staff and other partners

 

The creative process at the heart of the Transform model is inherently risky – the creative teams do not arrive with an idea in place. While many schools recognised the need to take risks to advance teaching practice, risk is not always as readily accommodated in educational contexts as it is in the arts. Again, it is important that all sides recognise the risks and understand how they can be managed. The successful track record of Transform should help in this respect.

Transform was a well resourced programme, both in financial terms and in relation to the more hidden costs of staff time, school resources and the support provided by the National Theatre of Scotland. This was a significant factor in its success and in its ability to deliver large scale projects that engaged entire school years (a unique benefit of the model). It does, however, limit the potential for replication without significant input of resources.  

 Transform East Renfrewshire

Learning

The evaluation identified a number of characteristics or features of the Transform model that appear to have been particularly important in its success. These are:

  • – the importance of artistic ambition and leadership, placing artistic quality centre stage in the process
  • – the crucial role of head teachers in committing schools and teachers to the projects
  • – the role of local authority partners in facilitating access to the wider community
  • – the scale and ambition of the projects
  • – the fact that the projects were about theatre production and not just drama
  • – working with pupils in curriculum time, reinforcing the link with school and mainstream learning
  •  – the participant centred process helped build participant engagement and sense of achievement
  • – schools applied to the National Theatre of Scotland ensuring schools’ commitment
  • – nature and quality of interpersonal relationships between the creative teams and participants
  • – the prestige associated with being involved in a National Theatre of Scotland production  

 

Transform Caithness
Photo by Fin Macrae

 OTHER

Partners:

  • – National Theatre of Scotland
  • – 10 local authorities and 16 schools
  • – Determined to Succeed
  • – Scottish Power Learning

 

Levels and Stages:

  • – Third and fourth levels
  • – Senior phase
  • – S1 – S6

 

Funding:

  • – Determined to Succeed
  • – Scottish Power Learning
  • – National Theatre of Scotland
  • – Local authority contribution

 

For more information contact:

Simon Sharkey, Associate Director (Education) on 0141 227 9006 or email simon.sharkey@nationaltheatrescotland.com

Or visit:

www.nationaltheatrescotland.com

Transform Caithness: 

http://www.highland.gov.uk/yourcouncil/news/newsreleases/2009/July/2009-07-09-01.htm

Transform Aberdeen:

http://www.aberdeencity.gov.uk/CouncilNews/ci_cns/pr_theatreeducationproject_200110.asp

Transform Moray:

http://arts.caithness.org/article.php?id=573

http://www.hi-arts.co.uk/may09-feature-nts-transform-moray.htm

Digital Literacies

ABOUT

in secondary schools

From 2008 – 2010, the Digital Literacy programme in East Dunbartonshire schools enabled the formation of young digital creator clubs in primary schools, secondary schools and the wider community. Pupils, teachers and parents participated in practical digital media training and film making workshops using equipment and specialised training packages, and under the guidance of industry professionals employed through the programme.

The package which included the purchase of specialist equipment was offered at a subsidised rate of £180 per school (actual cost £750), and 24 schools in the authority took up this opportunity.

Through the programme, teachers, parents and arts professionals became the bearers of an inter-disciplinary approach to learning and skills development, using media technology combined with creative practices. The out of school workshops were designed in a way that enabled teachers could transfer the skills into the school and curriculum time. The project design also facilitated a process whereby parents and young people could learn together at home exchanging skills and knowledge.

Schools and the wider community were offered a platform to showcase their skills in the form of the Children and Young Person’s Film Festival. This took place in 2009 and 2010 with 50 film submissions from groups and individuals. The Film festival also provided an opportunity to recognise and celebrate young people’s achievements in creativity.

working together working with industry professionals

PURPOSE

This was a new incentive for East Dunbartonshire and the purpose was to look at raising attainment and recognising achievement through moving image education.

The project aimed to establish the use of Moving Image in Education throughout East Dunbartonshire Council. This would increase participation in the arts, which in turn could impact on the broader curriculum.

Throughout different levels within the Curriculum for Excellence, young people had the opportunity to plan, participate and present their creativity in the expressive arts.

IMPACTS

As a result of this initiative:

  • Some schools have now begun film clubs
  • others are creating social documents on their school using moving image
  • some schools and communities have created animation films looking at recent and historical events
  • a number of schools are now using the moving image to develop film as a form of evaluation

HMIe recognised the Digital Literacy success at most of the schools in East Dunbartonshire but in particular Douglas Academy

OTHER

Partners:

  • East Dunbartonshire Council
  • Primary and Secondary Schools

Levels and Stages:

  • First
  • Second
  • Third and Fourth
  • Senior Phase

Funding:

  • Awards for All (Lottery)
  • Scottish Arts Council
  • East Dunbartonshire Council

For more information contact::

David Young, Cultural Co-ordinator on 0141 777 3092 or email david.young@eastdunbarton.gov.uk

Or view:

Links: