Category Archives: 2.1 Curriculum

Dancing – A Cultural Take

So this post hasn’t worked out exactly as planned – as Glow is insisting to view the video from the post you have to download it – but don’t worry, I promise it’s worth it!

IMG_4429

I thought this would be the perfect opportunity to share a bit of Scottish Culture – Highland  Dancing!

Albeit one of the oldest styles out there, it was traditionally only danced by men. (Which is very different nowadays, as the sport is now around 95% female!) In the past, the style was used as a way of selecting the strongest men for battle, as the dances test strength, stamina, accuracy and agility.

This particular dance that I have filmed (myself!) doing, is the highland fling. Historically, it was danced on a small round shield by soldiers heading into battle. Nowadays, as a solo dance, dancers are only encouraged to dance on the spot, no shield needed! it is the first dance in the programme at competitions where it can either be 4 or 6 steps long. This dance was inspired by the Stag – the arm movements used represent the animal’s antlers. There is a legend that states an old shepherd was giving his grandson a lesson on the chanter when he spotted a stag in the distance. The Grandson got up and imitated the stag, whilst moving to the music of the chanter – alas, the Highland Fling was born!

There are some lovely stories behind other highland dances. One of which is the sword dance (OR “Gillie Callum”). This would be performed by a soldier over two crossed swords, prior to battle. He would dance around them and then over them, getting faster towards the end. If he was to touch the swords at any point, it would be a bad omen for the battle ahead. Nowadays, this is obviously not the case, but a clattering of the swords will have you disqualified and you won’t place in the dance! Luckily for younger dancers, there is some leeway, if they gently touch the swords, it only means some points are deducted…

The Seann Truibhas (“shin trews”) is another great story. The name comes from the Gaelic word for “old trousers”, and there is very good reason for this. In 1745, the kilt was banned, and this meant it could not be worn for dancing purposes, therefore, the dancers were forced to find an alternative. Thus, being the tartan trews! The dance starts off very graceful and has a lot of shaking momevents of the legs, this symbolises the hatred to the garments they were wearing and is supposed to look like they are being kicked off! The final step of the dance is faster, and ends with a leap (front-split like movement in the air!), demonstrating the satisfaction of finally being allowed to wear a kilt again in 1782.

Highland Dancing has grown in popularity over the years and there are now major championships in almost every corner of the Globe. Derivations of the movements have been created and some amazing choreographies have been thought up and performed in front of crowds of thousands!

Day 1 at Somerset

Okay. So. Somerset is AMAZING!

Arriving at the school this morning was incredible. The campus is so big there are separate gates for pre-prep, junior and high school. I am still overwhelmed at the size of this school and the amount of staff they have for everything. They even have a snake catcher!

The beginning of my day was spent getting photos taken, completing inductions and collecting my “blue card” which permits me to work with children in Australia. I was also shown around the school a bit more getting a glimpse of their library, staff rooms and all of the fire evacuation points. Fire procedures etc are similar to those in Scotland, but it was so interesting to hear abut their “lock down” procedure they have in place “just in case”. When this happens the song “the man from snowy river” plays over the loudspeakers, which prompts all doors to be locked and the children to hide away out of sight.

The classroom routine is also noticeable different. Between the beginning of school and recess, children stop to have a “brain snack”. It was so lovely to see a study break being encouraged and the children learning about the importance of relaxing their mind. It was also a shock to see how much the sun influences the day. All classrooms have approved sun tan lotion for children to apply, and “no hat no play” is enforced school-wide to provide extra protection to the children’s heads and necks. Additionally, the majority of the school is actually underneath shade to ensure the safety of the children.

I particularly loved the work ethics in the classroom. In the afternoon the children were working on their “rainforest cafe” as part of their assessment for the end of their first line of inquiry. The children all went off to more “comfortable” working areas. I was astonished at how to motivate the children were not only to get a substantial amount of work done but also to do so at a high standard. All without prompting from the teacher! No one was off task, no one was chatting off topic – it was incredible!

At the end of the day, we went along to the week 8 assembly. I definitely had not anticipated how formal this would be. The school head, as well as the head of the junior school, were sat on the stage as well as a selected few pupils who ran the assembly. I was even asked to stand up and wished a happy birthday in front of the whole school (which was a very nice touch!) Then, they only went and announced the national anthem. I wanted the ground to swallow me whole as I didn’t have a clue what the words were. I definitely have some homework to do!

Now for day 2! I am so excited to see more inquiry in action, specialist teachers and lots of sports!

Placement Jitters

Current mode: panic!

No, not really. However, I am feeling very nervous about placement which begins TOMORROW. I say placement but is, in fact, a “prac”. I arrived in Australia Friday just passed and about to undertake a placement in Somerset College, an International Baccalaureate world school in Queensland!

As well as all of the nerves I felt before my last placement, I’ve accumulated about ten zillion more. Well. Ish. This is a totally different curriculum to Scotland and I am so incredibly excited to learn more about it.  An (unexpected) tour around the school when I was

An (unexpected) tour around the school when I was fresh off the plane has really given me a feel for the place. It is nothing like any of the schools I’ve been in before. It has an Olympic-sized swimming pool (which actual Olympic teams come over to train in!), a massive gym complex, sports fields, running tracks, multiple buildings, hugely facilitated classrooms all on a campus about four times the size of the campus at Dundee Uni! A short introduction to my class and a quick chat with the teacher has given me a little insight into the class dynamics. Lots of excitable little faces that I can’t wait to teach and learn from!

Australia as a place is EXTREMELY HOT. I am boiling, but it is way better than chilly Scotland. I
am very intrigued to learn about how the sun affects the daily routines of the school. I am so excited to learn more about Somerset and Australia, which just happens to have the cutest koalas EVER.

 

 

Drama conventions …

… So, What is a convention?

Well…. Normally a convention is a way in which something is carried out. There are agreed rules and criteria which make up the convention. A drama convention is where the actions of an actor/actress are decided by the writer or director and are done so to have dramatic, or desired effects.

dram

I want to focus in on three conventions, improvisation, mime, and soliloquy.

Improvisation is normally done with no preparation. No script or dialogue is given before the performance either.

http://quotesgram.com/improvisation-quotes/

http://quotesgram.com/improvisation-quotes/

This means everything down to who is in the scene, where the characters are, they way they react and the way they move. Everything done is made up on the spot.

Improvisation can be used to get pupils used to speaking without firstly preparing. This will fill them with the confidence when communicating outwith the classroom.

If I was to use this within a lesson, I would do the following:

Provide small groups of pupils either a –

  • First line
  • Prop
  • Setting
  • Theme
  • Time in history

(and so on…)

By working in small groups, they get the opportunity to practice and build up their confidence, before moving on and possibly trying a different prop with different or more people in their group/audience.

Mime is a creative form of drama where self-expression and gestures are normally used din place of words. It can be used in a number of ways but is best used to portray a specific movement or task – such as painting or closing a door.

http://disney.wikia.com/wiki/File:Mime.JPG

http://disney.wikia.com/wiki/File:Mime.JPG

I would use this within drama in the primary to develop my pupils nonverbal drama. Their body awareness expression and communication will all be improved by learning about and engaging with mime.

A simple warm up activity that could be done is an expression activity. The pupils should all say only their name, and then without speaking – show on their face through expression how they are feeling. To aid them I would give them a number of emotions to consider such as happiness, sadness, boredom and so on. I would use different expressions as discussion points to develop my lesson. If this was to be repeated over a number of drama lessons – the task can be differentiated as they improve. The pupils can then mime different actions, or even go on to acting as inanimate/animate objects.

A soliloquy is a dramatic speech made by an actor in order to reflect on their feelings. In drama performances, it is directed to the audience to give them an insight into a character’s thoughts – but it is intended that the character is actually making the speech to their self. It is great for the inner thoughts of an actor to be portrayed.

http://www.buzzle.com/articles/examples-of-soliloquy-in-literature.html

http://www.buzzle.com/articles/examples-of-soliloquy-in-literature.html

I would use this within drama to introduce different characters. It is a great resource to understand a character better by using examples of soliloquies and will help in developing dramas with a class.

I’d introduce the convention with a practical workshop, where the pupils are given a card with a “speech” (characters “soliloquy”) on it, and allow them to practice performing it to a fake audience (or a partner!). They can then swap and perhaps watch a few of their friend’s interpretations. I would then take the lesson back into the classroom and pull it apart – so they gain a solid understanding of soliloquy’s, but also on the drama we are focussing on.

Just Breathe…

When previously considering the role of the teacher, I was guilty of envisioning WHAT they were teaching their class…

Who is really in control of your classroom?

Who is really in control of your classroom?

However, since the very first lecture, it has become very apparent that, yes, the content of a lesson is important, but so is HOW the lesson is delivered.

The presence of the class teacher is important in order to keep control of the class. A strong broad presence projects a great deal of confidence. Whereas a lack of confidence will be apparent to pupils, and they will very quickly learn how to get around your authority.

A great way of establishing your authority is to greet your pupils as they enter your classroom for the day. Simple things such as asking them about something they mentioned they were participating in, or to compliment them coming in will give them a great boost. Even just a smile or a handshake whilst maintaining eye-contact will ensure authority is established before the day begins. It is also extremely useful as it allows you, as a teacher, to spot any child apparently disengaged and obviously not ready to participate in a class lesson. I will definitely be keeping this in mind more placement; especially in terms of my behaviour management goal (detailed here).

Screen Shot 2016-01-29 at 01.17.08Our voice is our most important tool as a teacher, and as an authoritative figure, it can be damaged fairly easily if we do not take adequate care of it. Many teachers think by talking louder, the children’s attention will be gained quicker, but this is not always the case. It is a natural reaction to shout in reply to bad behaviour but there are other ways of getting the desired attention and behaviour. These include things such as patiently waiting for silence, using  hand gestures or praising the pupils who do comply. By adapting tone and using expression, we can gain our pupils attention just as effectively. Other ways of doing so are by varying our volume, pace and pitch. I feel this will affect my goal of time management in regards to my planning. I will do my best to improvise around disruptions to resolve them and minimise the chance of them happening again.

So yes, our voice is a very important tool in the classroom. Because of this, we need to take care of it! Voice problems are very common such as hoarseness, sore throats and a need for constant throat clearing.

To prevent any problems, teachers should ensure they warm up their voice before the teaching day begins. Interestingly, one of the easiest ways to do so is simply to yawn! But obviously, not in front of your pupils! Vocal exercises are also very effective! Here is a very easy to follow video with some vocal warm-ups: Click Here

If any problems do arise, throat pastilles and breathing steam are life-savers!

I found a few breathing exercises brought up in Nikki Doig’s lecture very interesting. By placing Screen Shot 2016-01-29 at 01.13.03your hands above your hips (with your fingers pressed in under your ribs) breathe in through the nose for 3 seconds, hold it for three seconds and then slowly breathe out for three seconds. This is a great relaxation technique! It also alerted to me that I was not breathing correctly! I am very guilty of allowing myself to breathe out of my chest more than my stomach, which can cause a lot of strain! Definitely something I need to re-think before entering the classroom to ensure I am not straining myself.

 

edit **I just taught my dance class with basically no voice. It was a nightmare but definitely goes to show how important voice care is. It was also VERY interesting to see how using a quiet tone of voice can actually be more effective!**

 

Talking and Listening

Talking and Listening in the classroom provides a great opportunity for class discussion. However, this can also cause problems – as in who’s turn it is to speak, and who should be listening.

There are a number of ways to combat this. The simplest being, a set of rules. In my classroom, I would set clear rules from the beginning, so there is no confusion with expectations. My rules would be:talk

  • We talk one at a time
  • We do not interrupt
  • We make eye contact with the speaker
  • We respect everyone’s ideas

I do feel it would be beneficial for the children to make up their own set of rules as a class. Obviously, with a little direction from the teacher to make them sensible. This gives them a sense of feeling included, and may make them more conscious of them – hopefully!

 

If I was to create a lesson plan around the following outcome *see below*, I would base it on the book Katie Morag Delivers the Mail.katie

“I can show my understanding of what I listen to or watch by responding to literal, inferential, evaluative and other types of questions, and by asking different kinds of questions of my own.”LIT 2-07a. 

Learning Intention: To listen to a story and discuss and evaluate the storyline as a class. Also, I will come up with my own questions about the story, as well as discuss my peers’.

Success Criteria: I will be able to listen to and follow the short story. I will be able to come up with my own questions about the story, and answer my peers’.

Assessment: To assess whether ot not the pupils meet the success criteria, I will evaluate how well they listen to the story and how relevant their questions are to the story and discussion.

Screen Shot 2016-01-19 at 04.18.23How will I achieve this? I will use emotive language to engage the children in the story. I will allow them to complete a short paired task related to the story using sequencing cards, so they can gain a better understanding of the storyline. This gives them the opportunity to listen, interact with each other and then bring their learning to a conclusion with a discussion.

 

 

 

 

 

Did you just say… MATHS???!

Well………… Where to start?

Maths has never been a totally positive experience for me. I’ve gone through school constantly being Screen Shot 2016-01-15 at 00.40.37told I perform better at English than Maths; and boy, don’t I know it. From moving primary school and not having a clue in the slightest what I’d done and where I should be at, to being sat in front of the brainiest person ever in Standard Grade at high school. One of the worst moments that has really stuck in my mind would have to be seeing the look on my tutors face when she thought I’d taken maths at Higher; honestly – I thought the woman had just had a heart attack. (Luckily, she was a family friend and she was joking, but I still took it to heart)

In our workshop today, we were asked to write down, on a scale of 1 to 10 how confident we are with the subject. My paper, however, did not have enough space to the left of the scale to answer accurately. Like yes, that’s an obvious exaggeration, but I do know I have a lot of work to do regarding my confidence with the subject. The same worried look was obvious on a lot of other’s faces, as well as an obvious excitement to hopefully get over our fear.

I’m unsure why I get so anxious regarding maths. There is no reassurance, though, as apparently getting an A and a 2 in the subject suddenly means I am good at it……. nope. I can fully support the claim that when a teacher dislikes the subject, so do you. In my early years, I can barely remember maths; never mind having enthusiastic lessons on the subject. This avoided ness has sort-of, rubbed off on me – and I don’t think I will ever forgive myself for letting that happen. Just as Derek Haylock (2008) states, my teachers simply went through the motions of working through set textbooks – there was no fun and engaging activities that I see my sisters enjoying now.

Screen Shot 2016-01-15 at 00.39.38Today, I really enjoyed hearing about how maths can be used across the curriculum. I’d have had a way more positive outlook on maths when I was younger if I’d been told at the end of a P.E lesson that what I was actually doing was maths whilst timing my friends, measuring the tracks distance and counting reps. I would have been way more engaged when it came to the subject If it was highlighted that things such as working out coordinates on a map, measuring liquids in science and making patterns in art, were also MATHS. When I am teaching, I will definitely relate all my learning to practical situations; whether I am in the classroom or outdoors doing an activity. I think it is very important to make connections to consolidate learning.

I took a lot from today’s input. I am excited to learn more about engaging ways to learn. Things such as using interactive whiteboards, practical maths, and especially highlighting when it is being used in other areas of the curriculum. Reflecting on my own experience, I think the most important thing for me is to most definitely NOT teach maths in the way I was taught. I do not want any other child to go through school with a fear of maths like I did. It is up to me as a teacher to remove the maths anxiety in my pupils. To do this, I am going to engage with the OMA, as well as brushing up on my maths in my own time when I get the chance – in the hope of seriously improving my confidence. I feel that my fear of the subject will help me in teaching it as I know what it feels like to struggle with maths. This will, therefore, help me understand the importance of allowing some people working through things slower than others in order to fully understand. I can also see the importance of not only explaining things slowly, logically, clearly and in an interesting way; mathbut also to evaluate – to remember how the answer was reached. I do want to go into the classroom with the best of knowledge, though, not only of the subject but of the different ways to engage pupils to ensure I am teaching it effectively. Tara’s enthusiasm is striking, and it has given me hope that I too can become as enthusiastic as she is about maths. I want to, and I WILL learn to love it as much as she does – whatever it takes.

 

Maths may not teach us how to add love or subtract hate, but it gives us every reason to hope that every problem has a solution. – A very thought provoking quote from today’s input.

 

Haylock, D. W. (2005) Mathematics explained for primary teachers. 3rd edn. London: Sage Publications.

 

 

 

 

 

Stressful Science……..

Today we had our first science workshop with Richard. No word of a lie, I was bricking it beforehand. I did not have a very enjoyable experience of science in school, and I have never looked back on it as a positive school memory. However, Richard has certainly swayed my opinion completely in his workshop – something I had never considered would happen!

I thoroughly enjoyed preparing a little two-minute presentation and experiment to share with
my cohort. From researching different types of experiment, to reading more into them and actually trying them out! Obviously, being a very keen geographer, I HAD to go with a volcano!IMG_6068 The earth’s materials are a fascination part of science! I may or may not have borrowed my sisters volcano, and used a mixture of bicarbonate soda and vinegar to create the effect of an eruption. I also created a little poster with some fun facts and statistics! (I have attached the video of my experiment to the end of this post, it was a lot of fun!) By allowing us to do this so early on in this module, I feel I will now be able to approach it in a different, more positive frame of mind. That little experiment has filled me with a new confidence of a subject I have pushed to the back of my mind for a long time now!

Science is an important subject and a lot can be learnt through it. I feel I could have done with a lot more of it when I was at primary for certain! Due to this view, I will definitely make the effort to focus on improving my anxiety of science, so I can develop my confidence and teach it to all those pupils! It is one of those subjects where you NEED to have all the facts, you would not be able to improvise as easily as you could in subjects such as Physical Education or Dance.

To improve my confidence, I will definitely look more into different areas of science. Especially things I feel may be of use to me in the classroom. I do think that anxiety towards specialist subjects is not due to a lack of intellect, but due to bad experiences in those certain subjects in the past. A trip to the Dundee Science Centre is definitely on the cards!!

I will also use this SMART target to ensure I am realistic:

SMART TARGET

Specific:  I am hoping to learn more about SCIENCE. I will make an effort to ensure I look into the different areas of science, as well as the curriculum for excellence documents regarding science.

Measurable: I do tend to keep track of what I have and have not done. I will be able to measure how closely I have met my target by how much knowledge I have taken in; and whether or not I do get around to doing so.

Attainable: I have kept my target simple and realistic. I won’t end up as knowledgeable as Einstein (baby steps will do!) but I will hopefully improve my knowledge.

Relevant: My target is relevant to today’s input and the curriculum area we focussed on!

Timely: I am confident I will be able to reach my target before the end of this module.

 

So yeah…. maybe science isn’t all that bad after all!

Animation

I’ve always thought I had quite an extensive knowledge of ICT….. but no.

Today’s input on animation was so new but so interesting! As a student who has come straight from school, I am naturally a little nervous about placement. Nervous, but excited! It was so intriguing, not only to learn how to animate, but also how we can progress our lessons from week to week. Definitely one of those light-bulb moments where a lot of things clicked into place. Even simple things such as how many skills to teach in each lesson or how to keep the pupils attention by turning off their monitors will be a massive help to me.

FROZEN LAD

“Frozen” Pivot creation from today. Click on the image to watch!

I had a lot of fun learning how to use Pivot. Sharon taught it in the format of a lesson she would teach to primary school pupils. By experiencing this, I feel like I’d also be able to adapt the format of her lessons to teach ICT, in particular, animation, confidently.

Previous to this input I’d heard of others using Pivot, but I never attempted to use it. I wish I was shown how to use it at primary, it is definitely a resource I hope to use!

 

What standards we should be attaining as student teachers?

smartboardThe General Teaching Council for Scotland (GTCS) has their own standards for registration. These are split into two parts, The Standards for Provisional Registration (SPR), and The Standard for Full Registration (SFR). These are a series of standards put in place to make clear how teachers should act, and the values they should possess as a professional. For those of us looking forward to when we apply for Provisional Registration, it is good to use as guidance and support.

The SPR lays down what is expected of us as student teachers, and we should use it to shape ourselves into the teachers of the future. It is stated that once you have gained the SPR, and then the SFR, you should continue to develop yourself as a person. These standards are set down to set us up for a “Career of lifelong learning”.

The professional standards we are seeking to attain are vital in shaping us into the best teachers we can be.

It is interesting that the code is essentially the criteria we need to meet to ensure we are fit to A GOOD TEACHERteach. I find it very beneficial that the document States the Professional Values and Personal Commitment that I should have as a teacher. These include:

  • Social Justice
  • Integrity
  • Trust and Respect
  • Professional Commitment

I like how it goes into great depth about which areas we should be knowledgeable about, such as the curriculum, teaching programmes and assessments. It is very helpful that it has a breakdown of the things within education policy (such as laws and legislations), as well as the education system we should be aware of as students.

The standards do however state that we should have high expectations of all learners (3.1.4). Whereas I do feel our expectations should be relatively high, is it not unrealistic to have high expectations of everyone? Not everyone has the same abilities, and expectations should be specific to each individual learner.

Within a separate document, The Student Teacher Code, there are different rules laid down. I didn’t realise that after we gain the SFR, as well as having our PVG’s and by that time tonnes of experience in the classroom, the GTC STILL assess our fitness to teach. I do however understand the seriousness of a criminal conviction, and agree with GTC’s need to investigate any allegations.

downloadI found the “Key Principles of the Student Teacher Code” Very helpful. They state that as a student we should be good role models, make our pupils our main focus, and be respectful of others along with a few others.

When we are working with pupils we should show good moral values. Part 1 of the code is about how we work with pupils. It contains points about us having to keep sensitive information confidential, and that we should be a role model in EVERYTHING we do and say. I like the way they have written this into an easy to read document.

Part 2 is about how us as a student teacher works with others. As I took the Working Together module for my elective, it is nice to see the=is document including the importance of working cooperatively with those in other professions. I also think it is fair that it states you should not comment on other teachers or professionals within the educational community. I can only imagine the damage this could cause and I would not wish it on anyone.integrity_definition

Part 3 is mainly about how we should be honest and show integrity as a student teacher. Whilst
reading this part of the comment, it is very evident that a lot of these points. No matter what profession I could have chosen to go into I would never engage in criminal behaviour. I also find it very upsetting that some serious offences must have taken place in the past for some of these points to be added to this document. The point on social networking stands out a lot. I agree as professionals we should definitely be careful of how we portray ourselves on social media. We do not want our reputation ruined. 

Overall, the whole Student-Teacher Code is beneficial in highlighting how we should and should not act as professionals. The importance of equality and diversity are extremely important, especially when considering the Equality Act (2010). I can see how this code coincides with the standards for provisional education, which are both very useful documents.

How do we even teach a child how to read and write?!

learn-to-write-crawlerIn my previous blog posts, I spoke of language acquisition and the importance of things such as grammar. What is important when teaching a child how to read and write? Well, the most influential factor is their phonological awareness. Phonological awareness is the ability to understand the different rules around the sounds of a language. It also involves having knowledge of the way in which sounds are connected, and how this is represented when put down in writing.

phonics-abc-jumpIt has been stated that children who are more phonologically aware between the ages of 3 and 5 will be better at reading and writing later in life(Adams, Trieman, & Pressley, 1998). By teaching small children phonological awareness before they start school, their reading skills will be at a higher level that that of their peers who have no phonological awareness.

Children do not have to learn about phonological awareness in early childhood, they can learn in the nursery and the early years. Children will also be more confident if phonologically aware, and may often use invented spelling when attempting to write and spell new words. Although this spelling will be wrong, it is found that they will become better at spelling, reading and writing than their peers later in life. The best way to encourage them to engage in phonics is through fun activities involving “play” styled learning.skitched-14-6-1-1

Once children begin the basic reading process they begin to learn about the different parts of words (e.g. prefixes and suffixes). This will help them become more efficient in their reading.

The strategies used to teach reading can also be incorporated into helping children learn how to write. For example, when writing there are sound-symbol connections which are also important when learning to spell, but also how to read. 

Phonics-lesson-008No matter what teachers do, there is always some children that fall behind their peers in literacy. There are connections between poor readers and sound-letter combinations (Agnew, Dorn, & Eden, 2004; Gonzalez & Valle, 2000; Mayringer & Wimmer, 2000). It is also found that children with reading difficulties benefit largely from specific phonic lessons. Teachers need to reflect on the effectiveness of their approach and change it if necessary to fit the individual needs of the students.

Word Learning

What are the trends in word learning over the first two years?

Children initially learn words in stages, the first being the pre-linguistic stage. Each singular language, such as English or Italian, has various different dimensions. These are things such as the different uses of language, such as to communicate, the sound patterns each individual language uses and the rules that govern these patterns. These are all known as phonology. Semantics are they ways in which language represents meaning. The rules used to combine words in a language, is the syntax. These terms are all commonly used when describing the development from the early preverbal stage to the stage of linguistic fluency.

This is apparent through observing chimpanzees (Savage-Rumbaugh et al., 1993). They learn to nim-sign_1964009c (1)
communicate through sign language and the process of pointing to sequences of symbols. they can do this, and are good at it, but it takes a great deal of effort to teach them to use other expressive forms of language such as symbols signs and sounds that communicate meaning. Any parent will tell you that once you teach a child how to speak, you will never be able to get them to be quiet ever again! This is due to the fact that the process of language development begins months before a baby even utters her/his first word. This period of time within these few months is the prelinguistic phase.

By the time a child reaches around 12 months, they will typically have started using their first word (Fenson et al,. 1994). Within the next six months, children will increase their vocabulary to around 30 words. Early word learning is very slow and requires a lot of repetitions. Ronald Schollon (1976) studied a little girl named Brenda, and found she used a singular specific word for more than one thing. One example of this being the word “nene” for milk, juice AND her bottle.

The Naming Explosion is another trend that happens between 16-24 months of age which children begin to add new words rapidly. Elizabeth Bates and her colleagues found that a rapid vocabulary growth is not restricted to the language of English, it is the same in other languages. After repeating words a few times, it is easier for children to connect them to different situations. However, other cross-linguist researchers suggest that English speaking parents emphasise nouns more than verbs when reading and speaking to children, compared to Korean-speaking parents who do not. This suggests the noun-before-verb  learning pattern may be influenced by different language characteristics as well as the behaviour of the speaker.

Later word learning happens during the pre-school years when children begin adding words at much higher speeds, with a rise of up to 10 words a day (Pinker, 1994). Researchers believe this “speeding up” of the vocabulary learning process is due to a shift in the way children approach words that are new to them. 

Once a wide vocabulary is developed, children begin to categorise words. Psychologists use the term fast-mapping to refer to this ability. Children begin to categorise after paying attention to words in whole groups.This can be things such as names of different fruit. By identifying what category a word belong to, the child can envisage “mental slots” for these words.Children initially categories things such as animals. However, they can become confused. An example of this may be a child seeing a cat and saying “see kitty”. We are initially unsure on what the child actually means. Is this kitty a kitty, or does she see it as any other furry animal like a dog? She may even use the word to only describe her OWN cat.

This is when under-extension and over-extension become apparent in speech. Under-extension is when a word is used for one specific object in a singular context. This suggests children believe words can only belong to one thing and is mostly common in the early stages of vocabulary development (before naming explosion). Over-extension is when children grasp the idea of categorising words. However, in this case, they do it inappropriately, such as using the word kitty in relation to all animals. (e.g. using a single word for multiple, unrelated categories).

magnetic-wordsThe development of grammar and pragmatics is important when stringing together words into sentences. In the fist instance, putting two words together, then three – and so on. Children firstly begin stringing together two words around the age of 18-24 months. This is not random, it happens when they develop a vocabulary of around 100-200 words (Fenson et al., 1994). 

The holophrase stage is when a toddler begins to combine a single word with a gesture, with a result of creating a “two-word meaning”. This happens before they even use two spoken words together in speech. An example of this is when a child says “cookie” and holds out their hand – indicating they would like one given to them. 

The Grammar Explosion stage is when sentences become longer. The vocabulary development is fundamental to this, as children who have a more complex understanding of grammar will develop complex vocabulary much easier. As they now understand how to construct sentences at this age, they will, therefore be able to understand new words better and be able to integrate them into their language much easier. During this stage, their speech becomes “telegraphic”, which according to linguists and psychologists is when two-word speech becomes evident in speech. Within the following few months, plurals, past tenses and auxiliary verbs are added into a child’s speech.

The Inflection stage is when the form of a word is changed, usually the end of it. Children begin adding inflections into predictable sequences. Roger Brown (1973) found that in the process of children learning English, inflection is most noticeable hone children add “ing” to the end of words. Once they get the hang of this, they begin doing it in order.children-language-development-milestones

Children develop a full understanding of the development of language once they begin to
understand social skills. It is important, from birth, that a child can communicate their feelings through facial expressions and gestures. These are simplistic forms of communication but are important in the sense that the baby has not learnt any words yet. This process of word learning is a coherent process of integrated stages, without which, we would not understand where a child is in their development of word learning.

I found by completing the reading and this associated tutor-directed task from Patricia Thomsons’s lecture to be very beneficial in reinforcing what she spoke about. It has helped me become more knowledgeable on the range of different theorists and the vast amount of other reading out there that is avaible to us as students to enhance our knowledge. It also helped me make the connections between thought and language, and the ways in which language is developed.

Do we ever stop learning?

The brain never stops absorbing information. It is constantly processing thought and controlling our bodies, right through to our old age.

At birth, we already have all the brain cells we need along with billions of interconnected neurons. By age three, our brains have made almost 1000 trillion connections. 

Many of these neuronal connections have to be cut back, and this process is called pruning. The rate of this, and what is cut back, depends on your environment and what you are interested in.

Our brains “plasticity”, is its ability to continually change and adapt to and from different circumstances. This sets up our brains for lifelong learning.

However, in terms of learning our brains are most receptive in our early years. It is like a muscle, and it will degrades as and when it is not used. Therefore we are in prime shape to learn and absorb lots of information when we are younger. So, we do not stop learning, we simply begin to take longer to learn. This in turn can be frustrating and cause a lot of people to give up learning, but it certainly does not mean we are incapable.