Andy Scott: The Kelpies

 

The Kelpies are an amazing example of Public Sculpture by Scottish Artist Andy Scott using inspiration from the surrounding environment. What seems like an every day part of farming or rural life, the working horse, assumes a completely different aspect when scale is increased and placed in a public environment. The Kelpies have become a very popular visitor attraction in Central Scotland and stand proud against the bright blue sky on a Spring day. Scott combines both Traditional and Contemporary materials and methods of manufacture working in a scale from 3 to 30 metres.

Artists’ Studio: Session 9

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In the ninth session of the ‘Look and Draw’ series of workshops we were encouraged to set up a small studio space and become inspired by the work produced in previous sessions. The workshop began with a look at some Contemporary artists working in Collage then  we set to work. The first collage piece taken from a previous drawing included a combination of torn and cut papers of various qualities. Continue reading Artists’ Studio: Session 9

Potrtraiture

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As part of my 10 week drawing, printing, painting course the group focused on Portraiture, looking at lines, texture and the planes of the face. We used methodology such as blind drawing, feeling the surface of the subject (own face), leading lines, covering the surface of the paper with chalk then rubbing back with an eraser and a cloth. Included are some images from the group, with my four A2 chalk drawings towards the end of the series of drawings. This drawing was further developed into a lino print and I intend on creating a collage and perhaps a painting from this work which will follow in another post.

 

 

Experimental Printmaking

In September, 2014 I attended a Specialist Crafts workshop entitled Experimental Printmaking. The prints below depict white oil based printing ink which has been drawn onto using graphite pencil. Prints were layered, re-positioned, printed onto different coloured paper to explore the effects. Oil bars were used to create a colourful, Abstract landscape study, gliding smoothly over the surface of the paper, blending and mixing to create a dreamy effect.

Life Drawing 1: 6/2/15

At the beginning of the session we were shown slides of various artists who responded to the figure using a variety of line and discussed the works. Never having done any life drawing for over 25 years made for a daunting but lively workshop session. However the anticipation took over and I threw myself into the work enthusiastically.  The focus was mark making and line. Continue reading Life Drawing 1: 6/2/15

Session 3

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‘Surrendering to creative discipline is neither simple nor straightforward. Understandings created by expressive exploration can be dynamically unsettling’ Bolton (2005: 49)

Within session 3 the focus was on the Artists’ studio, the surrounding environment and we were encouraged to respond to our environment using a variety of media and methods. Quick exploratory directional line which moved from one object to the other, leading the viewer into the scene was the focus but was not easily achievable. Continue reading Session 3

Developing Drawing, Painting and Printing

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Session 1

Undertaking a ten week drawing, painting and printing course is a real challenge for me but one which I will rise to in order to engage in arts-practice led inquiry. The opportunity to work within an Artists’ Studio, Wasps Studios, Dalry, Edinburgh, alongside a practicing artist and other keen artists was one not to be missed. Continue reading Developing Drawing, Painting and Printing

Session 1 homework

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This homework task was a continuation of techniques used within the first drawing session. Blind drawing, left handed drawing, continuous line, following the line across the page are methods employed to produce quite abstract, rather random drawings which aim to describe the line of the objects and their relationship to each other; no object should be seen in isolation but should work together as a group. These studies are A3 in size and may be further developed using printing and painting techniques.

Crouched figure drawing

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Reflecting on my identity as an Artist and as a Teacher has proved a source of inspiration for my art inquiry and I  have begun to explore the female form in crouched positions as if hiding, unsure, praying, protecting the face or hiding the identity. These works were approached using the methodology of blind drawing initially then slightly worked into to accentuate line and form. I was surprised at how I was able to capture the shape and form of the female body purely by focusing on the subject matter and not on the page. These A1 studies will form the basis of development/sketchbook work and will be further developed into either prints or paintings. Experimenting with the orientation of the page allows for a change in composition and can make the image look quite different, depending on which view the drawing is being looked at.

New Lanark

On a short break to New Lanark it amazed me how sketches which I engaged with after the visit seemed inspired by the photographs taken on the day. The sub-conscious mind is amazing and can store images from a long time ago; as if in a dream state. The images drawn were from a tree source but were very organic in shape; line structures with the potential for future development. These free line drawing sketches took me back to the work which I had produced both in Secondary school and within my Fine Art Degree where I worked with free line and continuous line in a minimalist, naive style.

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