Category Archives: Expressive Arts

TAG, Don’t Start Me! (a Co-Create demonstration project)

ABOUT

TAG worked in partnership with Strathclyde Police to deliver a multi-artform interactive project in 19 different Glasgow primary schools. The project explored the origins of violent and criminal behaviour and was aimed at P3 and P4 pupils. The children saw a live professional theatre production, took part in drama workshops and took a ‘behind the scenes’ look at how a play is made by taking part in live web conferencing, direct from their classrooms into the Citizens Theatre.

In the play, Don’t Start Me!, a 9 year old boy, Craig gets involved with his older cousin Johnny’s gang, resulting in serious consequences for Craig and his classmates. Prior to seeing the play in their schools, pupils and teachers became familiar with the play and its characters through the project Glow group, which contains a body of teaching resources for pre and post performance activities complete with CfE Experiences and Outcomes for teachers.

Pupils were invited to find out about Craig, his mum Sandra, his sister Jamie Lee and cousin Johnny by reading character cards for each of them. They created their own character card and comic strips depicting a scenario from Craig’s story and shared them via Glow.

Through Glow Meet, children were able to watch a rehearsal and meet the actors and director of the play, and they also met PC Geoff Smith, an officer from Strathclyde Police, to talk about issues raised by the play.

Click here to watch 5 minute video

THE PROJECT INVOLVED

TAG, Citizens Theatre

19 primary schools in the Southside and East End of Glasgow

2 classes in each school – P3 and P4

1004 pupils

44 teachers

PARTNERS

Strathclyde Police

Glasgow local authority

PURPOSE

The project aimed to:

  • explore the origins of violent and criminal behaviour;
  • educate young children in the choices open to them if they find themselves in difficult social situations;
  • break down barriers between the local community and the police;
  • develop pupils’ and teachers’ awareness of Glow and ability to use Glow

CURRICULUM AREAS

Expressive Arts

Health and Wellbeing

Social Studies

Technologies

Religious and Moral Education

LEVELS AND STAGES

P3 and P4

TYPES OF LEARNING

The project involved pupils in group work, active learning, interdisciplinary working and learning outside the classroom

PROJECT ACTIVITY

There were many strands to the project, including:

  • each school saw a live theatre production of a new play, ‘Don’t Start Me!’, which explored the origins of violent and criminal behaviour;
  • each class participated in a professionally led post-show drama workshop;
  • online resources (via Glow group) available for teachers to access (pre and post show);
  • a number of Glow Meets taking place during the project – including a ‘behind the scenes’ glimpse of the rehearsal process, interview with the director and actors, and with a policeman from Strathclyde Police;
  • video clips for the pupils and teachers to access and use during lessons
  • four CPD training sessions to prepare the teachers for using Glow
  • a film maker worked with four ‘Key Schools’ to film feedback and pieces of drama that the children prepared in response to seeing the play;
  • online discussions and sharing of information between the teachers involved;
  • TAG worked with the Young Women’s Project in Bridgeton, Glasgow. 6 sessions took place whereby TAG tutors worked with the young women and a film-maker to create video clips for the Glow group.

HOW WAS GLOW USED?

Glow was an integral part of every stage of the project:

  • Glow Meets held with the actors/director in the play and a Police Officer;
  • TAG posted teaching resources, tasks and video clips of the play for teachers to access and use with their classes;
  • Pupils and teachers documented the progress of the project using the Glow group picture gallery and discussion board

IMPACTS

An independent evaluation was carried out by Blake Stevenson. Their research shows that the project had the following impacts:

New skills, knowledge and approaches for teachers

  • using drama more effectively in the classroom
    • increased confidence in using creative methods in teaching, particularly for challenging subject areas.
    • training in and experience of Glow
    • recognising the value of working with arts specialists.

New skills and knowledge acquisition for pupils

The project promoted the following key learning:

  • awareness of choices and consequences, and the problem of peer pressure;
  • an understanding of the risks of joining a gang, and the origins of violent and criminal behaviour; and
  • awareness of the role of the police
  • knowledge and experience of Glow and Glow Meet

The project supported pupils to achieve progress in the following ways:

  • Successful Learners – during the work of the project pupils were enthusiastic learners, and became open to new thinking and ideas about gangs, peer pressure and decision making. Pupils became better at communicating, thinking independently and making reasoned evaluations.
  • Responsible Citizens – as a result of the project pupils learned to respect others, make informed choices and decisions, evaluate environmental issues and developed informed and ethical views of complex issues.
  • Confident individuals – the project increased pupils’ self-respect, and their sense of emotional and mental well-being and helped them to have more secure values and beliefs. Pupils became better able to relate to others and manage themselves, be self-aware, develop and communicate their own beliefs and view of the world and assess risk and make informed decisions.
  • Effective contributors – the project supported pupils to develop resilience and self-reliance, and increased their ability to work in partnership and in teams, communicate in different ways and in different settings, apply critical thinking in new contexts, create and develop and solve problems.

New skills and knowledge for TAG

  • TAG noted the value of being able to do pre/post visit activities with the pupils, as this prepared them for the performance, increased engagement and meant pupils got more out of the whole experience.
  • Staff  felt the main benefits of the project were that they had been able to deliver live performance in schools and learn about Glow.
  • TAG developed new relationships with Glasgow schools, and strengthened their existing relationship with Strathclyde Police.

Technical and Practical Challenges:

Project timescales slipped slightly due to the adverse weather conditions in Scotland in December 2010. Sessions were rearranged with minimal disruption.

Glow was new to everyone involved in the project which was challenging for teachers who had limited time to learn (and to take on the project as a whole). However, the project provided an exciting incentive for all to learn how to use it and most participants are keen to use Glow again in the future.

Some schools did not have all the equipment to make the most out of Glow Meets (web cam, mic) others experienced technical problems during Glow Meets such as poor sound and image quality.

TAG suggested that more experienced Glow users may have made greater use of Glow (e.g. discussions, forums, evidencing work) and that the Glow group had perhaps not been as interactive as it could have been. In addition, Glasgow pupils had not yet been issued with Glow accounts; they were keen receive logins having experienced Glow through the project.

KEY LEARNING

The project had a large impact on the pupils taking part. They were really engaged by the delivery method, learned about issues relevant to their lives (particularly around gangs, violence and peer pressure), which teachers suggested there was a real need for, and were encouraged to be able to make good decisions.

The project also enabled young people to speak with a local police officer, and learn that the police are there to help them, which may help to improved relations between young people and the police locally.

The project was successful in encouraging some teachers to think more creatively about teaching, and it encouraged some of them to consider how they could use drama more in their teaching practice.

TAG felt that the work done on the Glow group was also a really successful element of the project, as it left a resource that can be used by other teachers and schools in future, and it encouraged some pupils and teachers to use Glow more.

Another positive aspect of the project was that teachers were able to get as much out of it as they wanted, with plenty of additional work suggested by the arts organisation, but with room for teachers to expand on/adapt this where they wished.

Staff in one school suggested that if you want to encourage teachers to start using Glow, it is a good idea to try to engage them with their passion, on a topic they are interested in, for example drama (as this project did). They felt this was the best route to encouraging more teachers to start using Glow.

FUNDING

Co-Create was funded through a partnership between Learning and Teaching Scotland and Creative Scotland’s National Lottery Fund.

For more information contact:

Angela Smith, TAG, angela.smith@citz.co.uk

Don’t Start Me! Glow Group

Citizens Theatre Website

TAG website


LOOK! (Pier Arts Centre, Orkney)

ABOUT

LOOK! was developed as an enterprise project for primary one pupils and was designed to introduce pupils to a creative environment and to help them understand and apply enterprising skills. Over several months during 2007/2008, 20 pupils from Class 1 at Dounby primary school were involved in researching all aspects of the Pier Arts Centre’s activity. They examined the ‘behind the scenes’ aspects of running an Arts Centre and were direct involved in curating and marketing their own exhibition and organising a preview event for parents at the gallery.

LOOK! involved:

  • – 20 P1 pupils from Dounby primary school
  • – 3 teachers (a head teacher, a visiting specialist and the class teachers)
  • – All of the Pier Arts Centre Gallery staff
  • – Scottish Arts Council funded trainee education worker
  • – Parents and families
  • – P1 pupils from Stromness primary school

PURPOSE

The aim was to provide a practical and active learning experience in a non-school environment.

LOOK! was developed by the Arts Centre Education staff in collaboration with Dounby Primary school for the following reasons:

  • To support schools provide creative and imaginative learning in partnership
  • To develop a strong relationship between Orkeny island Council and the Arts centre
  • To engage young parents in a rural community with the schools and the arts centre
  • To demonstrate the role the visual arts have in the delivery of other curriculum areas besides the expressive arts.

It was also intended for the pupils to develop an understanding of what goes on ‘behind the scenes’ at an art gallery and for them to know and understand the various jobs that are undertaken by gallery staff. Children took on and delivered these tasks themselves in a practical and real working environment with gallery professionals

CHALLENGES

The challenges delivering the project were mainly to do with working with such a young age group and how the staff engaged the children with the complex organisational structure of the Arts Centre. A good deal of support was given to teachers and children helping them to understand the process and integrate the ideas. They also provided support in helping the children make critical decisions and select the artwork for the exhibition.

Other challenges were:

  • – practical transport issues
  • – managing a large number of young children in the gallery
  • – the amount of arts centre staff time
  • – ensuring active engagement with the project

All these were overcome by planning and evaluating in partnership as the project evolved and by involving teachers, parents, the trainee education worker at the gallery, visiting specialist teacher and support staff.

IMPACTS

The pupils have made many return visits to the gallery, giving their friends and families ‘tours’ of the artwork especially the permanent collection housed at the gallery

The ‘preview’ event allowed for teachers to meet parents in an informal occasion – especially some who had been difficult to encourage into the school environment

OTHER

Partners:

  • – The Pier Arts Centre
  • – Dounby Primary School
  • – Orkney Island Council

Levels and stages:

  • – Early
  • – P1

Funding:

  • – Pier Arts Centre core budget

For more information contact:

Carol Dunbar, Education Office, The Pier Arts Centre on 01856 859 209 or email carol.dunbar@pierartscentre.com

Or visit:

http://pierartscentre.com/education.html

Everyone’s A Critic – Scottish Chamber Orchestra

ABOUT

SCO Connect worked with staff and S5 and S6 pupils in Firrhill High School and Forrester High School in Edinburgh. Everyone’s a Critic takes a look at what it means to write about music and examines the ideas underpinning critical writing about the arts.

Over 3 months, students worked with a professional music critic and were given opportunities to attend concerts and write their own reviews with professional advice and feedback.

The project looked at the following ideas:

  • – critical analysis of the experience of attending a concert, not the music
  • – developing critical skills – listening and writing
  • – experience of live concerts
  • – engaging with the expressive arts and literacy experiences and outcomes

Everyone’s a Critic was not seeking to work through a deep and detailed musical analysis, rather, the project was about exploring the skills of writing about the experience of attending a live music concert.

Students attended an SCO concerts and wrote practice reviews. These reviews were read by a journalist who then provided each student with suggestions for improvement before they wrote a final review of a different concert.

The project introduced students to a specialist type of journalism, stressing the importance of working to tight deadlines. This gave students an opportunity to access the expertise of professional journalists and learn from the experience.

Everyone's a critic

Click here to read Firrhill High School Students’ reviews

Click here to read Forrester High School  students’ reviews

PURPOSE

The project was developed to encourage Higher Music and English students to listen critically to music, and develop the skills to write about a specialised subject. The design of the project was intended that the critical writing skills developed in response to listening to music and attending live concerts should be transferrable to other artforms and situations. The project also brought students to a series of concerts around Edinburgh featuring different repertoire and in different venues.

The project involved:

  • – 20 Higher Music and English students
  • – 3 teachers (2 x music and 1 x English)
  • – 1 workshop leader and full orchestra
  • – 1 professional journalist

Everyone’s A Critic was designed to link to the following Experiences and Outcomes:

  • – EXA 3-91a, EXA 4-19a
  • – LIT 3-02a, LIT 4-02a, LIT 3-05a/LIT 4-05a
  • – ENG 3-27a/ENG 4-27a
  • – LIT 3-28a, LIT 4-28a

NEXT STEPS

Scottish Chamber Orchestra plans to develop a resource for teachers on how to write critically about music. This resource will be available from the SCO Connect website. The resource should enable a wider audience to benefit from the aims of Everyone’s A Critic, not just those in the Edinburgh area.

SCO Connect is also investigating the possibility of any school in Scotland entering reviews of concerts to be submitted on the SCO website with possible feedback from a journalist giving suggestions for improvement.

SCO Connect is also exploring the possibility of offering Everyone’s A Critic through Glow.

OTHER

Partners:

  • – SCO Connect
  • – City of Edinburgh Council

Levels and stages:

  • – Senior Phase
  • – S5 and S6

Funding:

  • – SCO Connect Core budget
  • – City of Edinburgh Council

For more information contact:

Lucy Lowe, SCO Connect Director on 0131 478 8355 or email lucy.lowe@sco.org.uk

Links:

http://www.sco.org.uk/education-home

Music Factory and Masterworks – Scottish Chamber Orchestra

ABOUT

66 Advanced Higher Music pupils from 22 schools across six local authorities participated in Music Factory. Students worked on the creation of individual compositions inspired by musical concepts from the ‘Masterworks’ repertoire. The students composed new work for a trio of Scottish Chamber Orchestra musicians with support and guidance from a professional composer. The composers lead workshops in schools over a 3 month period and at the final session, the Scottish Chamber Orchestra made an informal recording of the work. Each student and their teacher received a copy of the recording.

aberdeenshire-musos aberdeenshire-pupil aberdeenshire-pupils

Music Factory involved:

  • – 66 Advanced Higher music students
  • – 6 local authority areas
  • – 10 teachers
  • – 2 professional composers
  • – 10 Scottish Chamber Orchestra musicians

The project schedule is available through Glow.

Masterworks schools workshop

PURPOSE

SCO Connect’s flagship ‘Masterworks’ project for standard and higher grade students has reached many hundreds of pupils and has proved incredibly popular. Masterworks was so successful that it raised the question ‘what can you do for us now’?’ from teachers, pupils and parents, resulting in the development of Music Factory.

Music Factory was developed to support teachers in an aspect of the music curriculum often cited as being one in which they feel least comfortable. It also offers young composers the chance to engage with professional players and composers, thus understanding the reality of composing new music for players.

The project was designed to offer senior pupils and the more advanced ‘Masterworks’ participants an opportunity to further hone their grasp of the musical concepts and techniques they had been studying, by putting them into practice.

The purpose of Music Factory is:

  • – To support and complement composition in Advanced Higher Music
  • – To offer teachers and pupils the opportunity to engage with professional musicians and composers
  • – To inspire young musicians through the work of contemporary orchestral masterpieces
  • – To nurture young composers’ skills and confidence
  • – To develop young composers’ understanding of musical techniques and concepts by putting them into practice

moray moray-clea-with-pupils

CHALLENGES

Teachers were strongly encouraged to attend sessions along with their pupils, in order to understand the process and be able to support the young composers as they worked on pieces in school between workshops sessions.

In practice it proved difficult for many staff to get themselves released from timetable to do so, however the design of the project enabled teachers to use the material produced by the composer with lower level classes.

“I have used the material with a lower level higher class. The results have been excellent.” (teacher)

Those teachers who did attend found the experience useful as good CPD and have gone on to apply the experience with other classes.

“It was good to ‘force’ the pupils to compose without their instruments or a computer programme. As a teacher, I also found the sessions extremely valuable as it reminded me that there is more than one way to approach composition. Thank you.” (teacher)

Funding agreements were reached with each of the local authorities involved in order to ensure schools could participate.

moray-janet-with-pupils moray-janet-with-pupils

IMPACTS

Young composers reported that they had been challenged and encouraged to expand their creative thinking and practice:

“I used to hate composition, but the workshops showed me I can actually do it, they game me much more confidence and more enthusiasm to compose more music. Thanks!” (Young composer)

“I liked getting to work with professional orchestral players and communicate with other musicians” (Young composer)

Teachers responded positively:

“Would love to have this opportunity again – really inspiring and refreshing’ (teacher)

“It was interesting to observe the pupils being taken out of their comfort zone and getting to work with instruments they were not familiar with.” (teacher)

OTHER

Partners:

  • – Scottish Chamber Orchestra Connect
  • – 6 local authorities

Levels and Stages:

  • – Senior phase
  • – S6

Funding:

  • – SCO core budget (via Scottish Government)
  • – Participating local authorities
  • – SCO ‘250’ Society
  • – Scott Davidson Charitable Trust
  • – Educational Institute of Scotland

Experiences and Outcomes:

The project specifically linked to the experiences and outcomes as follows:

EXA 4 71a, 17b, 18a and 19a

For More information contact:

Lucy Lowe, SCO Connect Director on 0131 478 8355 or email lucy.lowe@sco.org.uk

or visit http://www.sco.org.uk/education-home