The focal points of this week’s integrated arts inputs where music and dance. Again, after these inputs I believe I have developed further knowledge and confidence within the integrated arts education.
During the lecture we explored why music matters within education and how music can complement other subject areas, in particularly literacy. The skills of music are encircled by the skills of literacy primarily transpiring as reading, writing, listening and speaking, Hansen et al (2014, p.1) connotes “children are learning valuable skills of music that are an integral part of becoming a literate person”. Likewise, Patricia Stock cited by Hansen et al (2014, p.3) denotes literacy as “the ability to use available symbol systems that are fundamental to learning and teaching- for the purpose of comprehending and composing- for the purpose of making and communicating meaning and knowledge”. Music empowers children to acquire additional skills of creative, perspective, comprehending and rhythm. Even at a young age when children are engaging in play, children are making emblematic connections to the real word. From early stage children should be encourage to listen to music and create their own music too, researchers have proven that music can enhance children’s language and literacy acquisitions. Decoding is a fundamental skill of learning to read and making the connections between the phoneme and grapheme (Hansen et al, 2014). Teachers are able to use music in literacy and maths for instance “using songs as a way to learn the content of reading or mathematics such as memorising grammatical structure or multiplication tables” (Hansen et al, 2014, p. 42). Similarly, music can also raise attainment in the primary school, children may become more engaged in learning and behaviour may improve due to the involvement of music. As a perspective teacher it is important that I find a way of implement music in the classroom, allowing the children to be engaged within all of the arts and give them the opportunity to create their own authentic pieces of integrated art work, whether it is an individual or with peers. There are many options that engendered children’s involvement in music, this can be through learning to play an instrument or learning to sing, learning to compose, using ICT to develop music, learning to produce a performance. What I gathered from lecture is music is a powerful subject which can help teachers to develop learning and teaching, and also aid the cognitive development of children, as a perspective teacher it is important that within my practise I express enthusiasm and energy in order to make learning engaging and enjoyable. Bloomfield (2000, p.67) highlights the importance of music in the curriculum “some children will find an opportunity to excel in musical communication while others will be highly motivated by musical activities. It is important to acknowledge that such music is such a powerful musical tool”.
The music workshop focused on the theory aspect of music and the advantages of music in other subject areas. In groups we were assigned a curricular area within the ‘International Journal of Music Education’ by Susan Hallam, my group was assigned physical development, below is the mind-map of information we abstracted.
Also within the input we consider lesson planning in music, using an interdisciplinary approach, below is our lesson plan
This week we were introduce to the dance aspect of the integrated arts. Before the input I felt rather apprehensive and uneased by the prospect of teaching dance, but throughout the input I acquired valuable techniques that has increased my empowerment and confidence in dance. Dance is made up of movements which are used to illustrate emotions and meaning, dance is part of cultural across the world, and dance is considering a means of social interaction (Bloomfield, 2000). Children are first exposed to dance “through singing games and spontaneous rhythmical play actions, acquired through family, nursery, and media resources (Bloomfield, 2000, p,45). Bloomfield likewise states dance is “experienced through awareness of kinaesthetic flow patterns, the awakening and development of skills through coordination… meaning of movement in a creative and expressive way (2000. P.45). Throughout the input we were shown a variety of ways to implement dance in an engaging way for instance dance whisper- the class form two equal straight lines and the two children at top is show a short sequence dance and must pass it along line to the end of the lines. Another approach is getting the children to form a conga line and different music plays and each child gets the opportunity to create a unique response to the music. Also in groups we consider bones and muscles that we use when we exercise, when teaching dance especially through Physical Education it is important to do a warm-up and ensure the children are ready to dance, likewise a cool- down is important too. Movements of the left side of the body are dominated by the fundamental motor and sensory sector of the brains right hemisphere, (Bloomfield, 2000). When teaching dance, it foremost to be aware that individual have one side of their body more presiding than the other, it is therefore principle to practise the movement on both sides of body, being resilient if one side of body is more challenged by the movement (Bloomfield, 2000).
Nonetheless this week we were able to establish the principle TEN words of any dance routine being:
• Twist
• Reach
• Roll
• Slide
• Gesture
• Hop
• Jump
• Kick
• Turn
• Balance
Utilising the ten words above in groups we create our own movement for each and next week we hope to incorporate into constructed dance routine.
I found this week inputs to be overall insightful, I have been able to consider the power, the influence and theory of music not only to the curriculum, but the significance that music can have on children’s development and attainment within learning. Likewise, in dance I have be able to acknowledge the importance of movement within dance and the thought behind creative dance routines.
References
Bloomfield, A. (2000) Teaching Integrated Arts in the Primary School. Oxon: David Fulton
Hansen, D, Bernstorf, E, Stuber, G. (2014) The Music and Literacy Connection .(2nd ed). London: Rowan and Littlefield
