Integrated Arts Week 5 – 10th October 2017

Visual Arts

This week, we looked at how we can extend an art activity by reducing our Windows in the West print, and creating a black and white photocopy, which we then used to create a pen drawing extending from the print image. The importance of continuation in art was emphasised, as all too often art is treated as a stand-alone, one-off activity and this can be discouraging to children. By using past work as a stimulus, pupils can see how art can be a progressive activity and this encourages them to develop their imaginative capabilities and allows them to increase their skills (McAuliffe, 2007).

Progression

We looked at this in practice, through the Room 13 initiative in Fort William. Room 13 is an extraordinary example of the brilliance that can emerge from children being taken seriously and allowed autonomy and independence as artists (Gibb, 2012). This aligns with my belief that we can get the best from our pupils, not by trying to hold power over them, but by treating them respectfully as equals in their education.

 

Music

I found the music seminar really informative today. To begin with, as usual in the music inputs, I felt extremely apprehensive and out of my depth when the lecturer explained the task. Music terminology is something I have tried to increase my knowledge in, but each time it still confuses me and causes much anxiety. However, as the workshop progressed, my determination to at least try proved fruitful and I found my confidence increasing as I navigated the GarageBand app to create a very short backing track. This enabled me to put myself in a child’s shoes, although I would say most school children are much more digitally literate than I am.

We discussed the possibilities of this resource and how easy it is for children to use and create their own tracks, the opportunities for enterprise, literacy, citizenship and arts. We also had a go at creating a sound effect track for a short video clip. I was really engaged in this task and found it thoroughly enjoyable, feeling extremely proud of my end result. This is certainly an activity I will use in the classroom. This was the first time I truly considered that music in the classroom does not necessarily need to be just learning do-ray-me and wishing you were talented enough to play an instrument. The digital nature of our modern world extends into the music business too, and it is important to remember that as teachers, we will be educating the workforce of tomorrow. Introducing this type of software to pupils also gives those children who do not like to be in the limelight, a chance to be actively involved in the sound engineering aspect of music production, so digital music is definitely something I would like to make use of within my future classroom.

Both of today’s inputs focused on using prior learning and work to expand skills and repertoire, and thinking about the importance of giving children “experience of more specialised equipment” to further their skills (McAuliffe, 2007 p.28)

 

REFERENCES

Gibb, C. (2012) Room 13: The Movement and International Network. Oxford:Blackwell Publishing Ltd.

McAuliffe, D. (2007) Foundation and Primary Settings In: Cox, S., Watts, R., Grahame, J., Herne, S. and McAuliffe, D. (eds) Teaching Art and Design 3-11 London: Continuum pp.31-83

Integrated Arts Week 3 – 26th September 2017

Today we looked at the figure notes system of reading music. Julie explained that the system was developed in Finland as an educational tool that creates a more inclusive way of learning to play an instrument. A combination of symbols and colours are used to identify individual notes. Using this simple yet effective system, we each learnt to play Twinkle Twinkle, Frere Jacques and Jingle Bells on the glockenspiel. This enabled me to see how easy this system is, and how it opens up the world of music to everybody. This is a very effective way of boosting an individual’s confidence in music, and the system is designed to make progression to traditional notation easy.

Using our short experience with the figure notes system, Julie then explained how to use a pentatonic scale. By using only five notes, CDEGA, and taking away, quite literally, the F and B notes, we had to improvise a 16-bar section of the song “Hit the Road Jack”. This was quite daunting at first, however once we got into it, it sounded quite good and wasn’t anywhere near as bad as anticipated. This is an effective way to increase learners confidence, as you are taking away any possibility of making a mistake, increasing the likelihood of participation. This shows learners that there is no right or wrong answer or combination of notes, there are infact a mutitude of possible solutions, which Eisner (2002) states is an important lesson we can learn through the arts.

The visual arts input had us begin by creating our own paint brushes to use later in the class. We had a variety of materials to choose from, from an assortment of colours and thickness of wool, string, cotton and polyester fibre stuffing, to feathers, foam shapes, paper and wooden sticks. This in itself was an enjoyable activity that really got our imaginations going, and is something I will definitely be using in the classroom. It served to ensure from the start, that there was no expectation to produce “perfection” in our artwork, but rather emphasised the individuality and uniqueness in our work, with the focus on the process.

Step One
Paintbrush

The second part of this input was to paint a picture. The method Diarmuid used of ‘reading’ the painting to us, definitely developed my tolerance for ambiguity. Far from just a painting lesson, this was a lesson that required good listening skills, imagination, confidence and a willingness to just give it a go, some skills and abilities that us adults can often lack. This gave us a chance to experience what a primary school pupil may feel when asked to replicate a specific image that they do not possess the skills for. This willingness to have a go, to risk being wrong, is an important attribute in this modern, ideas-driven society, and it is an attribute that is being dismissed and transformed into fear of making mistakes, by our current education system and the hierarchy of subjects putting arts at the bottom (Robinson, 2006).

Blank canvas
A work in progress
The finished article

Both of this week’s inputs can be related development of a number of the TALLIS Habits (Tallis Pedagogy Wheel Guide, 2017).  They developed my ability to be persistent, to stick with difficulty, tolerate uncertainty and take risks. My imaginative and inquisitive skills were extended, through experimentation with materials and ideas to create my paintbrush, playing with possibilities for the different notes for the improvisation, challenging my own assumptions on what makes a good painting and the notion that there is not one single way to create a painting. I also learnt to be disciplined in my artwork, through refining and developing my painting and finally reflecting critically on my progress in the module so far, in this week’s inputs and the processes involved.

REFERENCES

Eisner, E. (2002) The Arts and the Creation of Mind. London: Yale University Press.

Robinson, K. (2006) Do Schools Kill Creativity? 19.24 mins. [Online] Available: https://www.ted.com/talks/ken_robinson_says_schools_kill_creativity [Accessed: 21 September 2017].

Tallis Pedagogy Wheel Guide. (2017) [Online] Available: http://www.thomastallisschool.com/tallis-pedagogy-wheel-guide.html [Accessed: 12 September 2017].

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