Category Archives: Uncategorized

22/11/16 Music

“Group singing is a communal form of play, a joyful ritual bringing everyone together. A different kind of identity arises- a group identity, a group spirit.” (Page, 1995 p.15).

This weeks music session was all about the voice. As a teacher we rely on our voices, which can often take a lot of strain. This is why it is important that we look after our vocal chords.

After watching a video about beatboxing, this made me aware that the voice can be used to create music in many ways, rather than the traditional style of singing. “Teachers who accept all musical styles convey a positive message.” (Page, 1995 p.14). As teachers we need to accept diversity in the learning environment and embrace a child’s choice of music style as this could be part of their developing identity.

Here is the video all about the variations of music that can be created using just your voice:

The focus of this lesson was on different types of warm ups. To start off with we learned about the importance of warming up our bodies by doing shoulder and neck rolls, before moving on to facial exercises. We then moved on to breathing exercises, such as breathing in, holding it and then releasing it slowly with a controlled airflow. Playing a brass instrument and being part of a wind ensemble, I was already familiar with many breathing exercises such as this one. However, I had never thought about how these techniques could be used as vocal warm ups and cool downs as well.

References

Page, N. (1995) Music as a way of knowing. Maine: Stenhouse Publishers

 

 

 

 

6/12/16 Art

In todays art input, we were introduced to Room 13.  Room 13 is an art studio/business run by primary school students in  Fort William. It had originally started out as a spare room which was turned into  creative place where children could have the freedom to create any kind of art they want, , rather than following a teachers step by step instructions, which is unfortunately the way most art lessons are these days. Room 13 encourages independent learning and creative expression.

“Room 13 offers young people a platform from which to speak, and as a result of their experiences, there are areas of life about which they may speak with some authority.” (Gibb, 2012)

What had started out as a small project turned into an international network of studios, after the success of the original room 13.

We then went on to discuss some of the images produced in room 13. This was the image my group had:

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The caption on it reads “Room 13 allows time to question. It is good to question whats going on, the reasons for things.” We spoke about how it is good for children to question, as it encourages them to become independent thinkers. Curiosity can also inspire creativity. Questioning also helps them to have a better understanding of the world around them, questioning shows that they want to learn. This fits in with a quote from Gibb about room 13, “students are introduced to a broad spectrum of ideas concerning not just arts, but political, social and environmental issues, timeless philosophical and international questions. They disseminate this information in a multitude of ways, and become adept at articulating responses and posing pertinent questions.” (Gibb, 2012)

Overall I feel that Room 13 promotes aspects of children’s learning in many areas, not just within the arts. The freedom they have in room 13 allows them to become creative and confident individuals, and independent learners. I think it is a great idea that all schools could benefit from and it shows how important the arts can be in the development of a child.

References

Gibb, C. (2012) Room13: The movement and the International Network. Blackwell Publishing LTD

6/12/16 Music

In our last music input we learned about Figure notes. Figure notes are an alternative way of reading music, instead of reading notes off a stave you read the coloured shapes which represent notes.  Many people can struggle with learning to read music, and for people with additional support needs or learning difficulties it can be too much for them to compute. This is why I think figure notes are a great tool to use, as it can break down barriers for people who struggle with reading music and allows anyone to have the joy of playing an instrument.

“Music is communication. Music is play. And most importantly, music is for us of us, not just the specialists.” (Page, 1995). This quote reiterates the point that anyone can learn to play an instrument if they have the right resources and the right support.

This also gives children who cannot read music the opportunity to be a part of a band or orchestra and play alongside children who do read conventional music, with a feeling of equality. Opportunities to play as part of a musical group can also develop the child’s team work skills and develop their confidence.

They can also then progress on to reading conventional sheet music, after building up their confidence and a base of music knowledge through the figure notes.

As someone who has read music from a young age, I found the figure notes quite strange at first, but after seeing how quickly some of my non-musical friends picked it up and managed to play a short piece on the keyboard or glockenspiel, I could clearly see that this is a great tool to start anyone off on learning an instrument.

References

Drake Music Scotland (2016) Figure Notes. [Online] Available: http://www.drakemusicscotland.org/figurenotes/ [Accessed 28 December 2016]

Page, N. (1995) Music as a way of knowing. Maine: Stenhouse Publishers

 

29/11/16 Drama

In this weeks drama lesson, it was my groups turn to do our micro teaching task of creating a drama lesson on a children’s book of our choice. A picture book can offer a good framework for a drama lesson to be built on and be used a stimulus to create new scenes (Baldwin, 2008).

The book we had chosen was “A squash and a squeeze” which tells the tale of an old woman who complains that her house is too small, so she takes advice from a wise old man who tells her to fill up her house with farm animals, so that when she removes the animals she will see that she has more room than she realises. I think the message behind this book is that you should always be grateful and appreciate what you’ve got, rather than complaining about what you could have instead.

After reading the book to class, the first activity we got the class to do was a freeze frame of what the groups would image her house to look like whilst it was full of all the farm animals.

The next activity we got the class to do was a thought tunnel and we asked the class to shout out one word to describe the old woman. Some shouted words like “Lonely” others shouted words like “bitter” and “ungrateful”.

The last activity we got the class to do was a role on the wall where we asked them to write down how the old woman saw herself on the inside, and what the old man thought about her on the outside.  Most people used words like “alone” to describe how she saw herself and words like “childish” and “naive” from the man’s perspective.

After some self evaluation at the end, overall we thought it went well. However if we were going to do it again we would possibly replace one of the last two tasks with something different as the answers for the last two tasks were very similar and a bit repetitive. We could replace one with  hot seating and get someone in the class to play the old woman or the wise old man, or get the class to do a short improvisation scene of the conversation between the two.

 

After completing this micro teaching task, it made me realise how much easier it was to construct a drama lesson having learned the various activities. Before studying this module I had never been taught any of these at school myself. When I did drama at school it was simple reading lines from a script, which was why I did not enjoy it. Whereas, these activities can make the lesson far more interesting and engaging for the pupils. I would definitely now have the confidence to teach drama lessons to classes in the future.

References

Baldwin, P. (2008) The Practical Primary Drama Handbook. Sage publications LTD

29/11/16 Music

“The benefits of learning to play an instrument include the development of social skills; gaining a love and enjoyment of music; developing team-work; developing a sense of achievement, confidence and self-discipline; and developing physical co-ordination” (Hallam & Prince, 2000).

This week in music we looked at the instruments which would be used in a primary classroom, in particular we look at the ukulele.  I found this to be an interesting choice because when I had class music lessons in primary school it was always either the recorder or glockenspiel. We started off by learning the notes on each string and then went on to learning the 4 chords which make up many songs. After learning the different strumming patterns and fingerings for the different chords, we were able to put all of this together to play ‘Last Christmas’ by wham.

Before todays input, ukulele would not have been an instrument I would’ve thought I could teach to a primary class. After having guitar lessons myself,  I know that chord positions and strumming patterns can be very tricky, and I assumed Ukulele would be too difficult to teach to a full class of primary pupils. However, after seeing how quickly everyone picked it up from watching the ‘Axis of Awesome’ You Tube videos that broke it all down step but step, I have now changed my mind. Having online resources like that are very useful, as it would mean that if the class were struggling with any particular area the teacher could go back to the specific part of the video and go over it again with them until it falls into place. It would also allow children to do their own practice at home if they had access to a ukulele.

I found learning the Ukulele to be an enjoyable experience that I picked up quickly, and would definitely consider using it with a class in the future.

 

References

Axis of Awesome. (2011) 4 Chords | Music Videos | The Axis Of Awesome. [Online] Available:https://youtu.be/oOlDewpCfZQ [Accessed 5 January 2017]

 

Hallam & Prince ( 2000) In: Hallam, S. (2010) The power of music: Its impact on the intellectual, social and personal development of children and young people. International Journal of Music Education. [Online] Vol. 28(3), pp. 269–289 Available: http://moodle.uws.ac.uk/pluginfile.php/715660/mod_resource/content/2/International%20Journal%20of%20Music%20Education-2010-Hallam-269-89.pdf [Accessed 28 December 2016]

15/11/16 Music

This week in music we explored the music programme “Charanga” (Charanga, 2016). I had heard of this programme before, as it was used in the school I was in on my first placement and I know the class teacher thought it was a great resource. However this was the first chance I had gotten to explore it myself.

It is a website with an incredible amount of online resources for music teachers, it provides them with everything to prepare a music lesson for any stage in the curriculum. There are full lesson plans, which follow a week by week programme making it easy for teachers to track the children’s progression. This is great  support for new teachers or teachers who are not confident with music.

It has various interactive activities, sheet music which can be downloaded and printed out for many different instruments and backing tracks for songs. This is practical as the teacher does not have to accompany the children in singing lessons.

Within the vast bank of songs, there is music relating to other areas of the curriculum such as Times Table songs and numeracy songs. This is an interesting way of integrating music into the other curricular areas and it is a great way of engaging children in other subjects. Personally I find putting something into song helps me to remember it better, therefore with the likes of the timetables song, these activities could aid children who are struggling to remember them.

Charanga also has section dedicated to the BBC’s ten pieces programme (BBC, 2015) which I had not been familiar until now. The purpose of the 10 pieces programme is to introduce children to classical music in an exciting and engaging way by getting them to create their own response to the pieces through the arts, whether it be a composition of their own, a dance or digital art. Charanga provides a whole lesson plan and a tool kit full of activities for each of the 10 pieces. Again this is incredibly helpful for teachers who do not have an in-depth knowledge on classical music but would still like their class to take part in this interesting programme.

Overall I thought that charanga was a great resource for all teachers, no matter what their music ability and it is definitely something that I would consider using in the future. I hope that programmes like this encourage teachers who are not confident in music to give these preprepared lessons a try, and allow more music into the classroom.

References 

BBC (2015) 10 Pieces. [Online] Available: http://www.bbc.co.uk/programmes/p01vs08w  [Accessed 6 January]

Charanga (2016) Charanga music school. [Online] Available at: http://www.charangascotland.co.uk [Accessed 3 January 2017].

15/11/16 Art

In this weeks art session we looked at the painting ‘Windows in the West’ by the Scottish artist, Avril Paton. For me this painting always brings back fond memories of when I was younger and enjoyed  going to Kelvin Grove art galleries with my Grandpa, who was an architect and very much encouraged and inspired my in interest in the arts. This particular painting was one that we would always come back to and discuss, it was a favourite of mine in the gallery. Each different window tells its own story and there are so many tiny details, I always found it incredibly interesting. Although the average person only looks at a painting for a few seconds, I always felt this was a painting I could look time and time again and always find something new. “Through the arts we learn to see things we had not noticed, to feel what we had not felt and to employ forms of thinking that are indigenous to the arts” (Eisner, 2002 p.12)

Because of my personal connection with this painting I found it throughly interesting to hear what the artist had to say about the painting herself:

 

 

We used inspiration from Windows in the West to create our own prints. We focused on a specific area of the painting in detail, rather than the whole image, and then drew the outline onto polystyrene. By covering the polystyrene in ink we were then able to use this as a stamp to create interesting prints onto coloured paper. We also discussed how different colour combinations of the coloured inks and the coloured paper can give the print a whole new dynamic. I chose to use red and green to give it a christmas feel.

Overall I felt like it was a fairly straightforward task, that was enjoyable and could be integrated into any topic or subject.

References

Eisner, E. (2002) The Arts and the Creation of the Mind. Yale University Press/ New Haven & London

Glasgow museums (2011) Avril Paton on “Windows in the West” at Kelvingrove Art Gallery and Museum, Glasgow. [Online] Available: https://www.youtube.com/watch?v=BVDRL6wsQYU&feature=youtu.be [Accessed 3 January 2017]

 

8/11/16 Drama

“Good picture books deal with big questions and issues that often can be opened up and explored through drama.” (Baldwin, 2008)

In preparation for this weeks drama input, in groups we had to create our own mini drama lesson using the techniques we had learned so far based on a children’s book of our choice.  Half of the class did their lessons this week whilst the rest of us acted as the class, and we’ll switch roles in the next drama input. Each group told a story from a children’s book and then went on to deliver various tasks in relation to the book, such as hot seating, thought tunnels and role on the wall. I think this micro teaching task was useful as it allowed us to see how different people would teach drama and was a good way for us to share our ideas.

This is our role on the wall for one of the other groups micro teaching lesson about a fish who at the start of the story was very self centred, but by the end he turned out to be very kind.img_3290

 

Because it was near Remembrance day, we then went on to talk about how drama can be incorporated into almost any history subject. In our groups we had to come up with a freeze frame or an improvisation to do with WWII, so our group made a freeze frame of children being evacuated and having to say goodbye to their mother. I think this is a great way of integrating drama into other subjects and can fully engage children in the topic.

References:

Baldwin, P. (2008) The Practical Primary Drama Handbook. Sage publications LTD

1/11/16 music

This weeks music input was very different, we were lucky enough to  have a class of Primary 6’s, who were part of the Greenmail Strings Project, come in and teach us about their instrument.

https://vimeo.com/176221212

The school had formed a strings project where every child in the class got to participate in learning an instrument and being part of an orchestra. I thought this was a great that every child had the chance to learn an instrument because when I was at primary school, everyone was given a musical test and only those who scored highly on the test got the opportunity to receive music tuition. This was presumably down to cost of tuition and limited resources. I also felt it was great that the class had a specific timetabled slot for music  every week, as music is often overlooked and seen as less important as maths and english etc meaning it can get skipped if there is “not enough time for it”. As someone who is incredibly passionate about music and knows how important it can be to many children, I feel there should always be a timetabled slot for it. As Eisner states “In education, the arts are considered nice but not necessary.” (Eisner, 2006 )

Having the roles reversed and being taught by one of the pupils themselves was an interesting concept. The little girl who was teaching me how to play twinkle twinkle little star on her violin was very enthusiastic about her instrument, and she seemed to gain a great sense of pride and achievement when watching me pick up what she had taught me. This showed me that the children had a good base knowledge of music and the instrument they were learning because for them to pass this knowledge on, they would have to have a good understanding of the topic. I think this is a great way for children to reinforce what they have learned themselves, by talking about what they have learned and teaching it to someone else.

After teaching us their instruments, there was some time at the end for the children to ask us questions and us to ask them questions. The little girl who I had been working with asked me if I had any previous musical knowledge and if I played any instruments currently. After telling her that I had grown up surrounded by music and still carried on playing trumpet, piano and guitar, she seemed happy and relived that I had managed to keep my instruments up. She told me that she very much wanted to continue with playing her violin when she was older, when I asked her what she enjoyed about it she said that enjoyed being able to play along with her classmates as part of the orchestra and enjoyed the opportunities being in the orchestra had brought to them, such as performing for Prince Charles. I thought I was great to see how this string project had really inspired the pupils and engaged them with music.

I thoroughly enjoyed the music session this week as it was a much more unusual workshop and I enjoyed learning something new.

 

References

Eisner, E. (2006) What do the arts teach? 1:00:52 mins. [Online] Available: https://www.youtube.com/watch?v=h12MGuhQH9E&feature=youtu.be [Accessed 27December 2016]

Greenmill Primary (2016) Greenmill String Project. [Online] Available: https://vimeo.com/176221212

8/11/16 Music

In the workshop this week we learned bout the music programme Garageband.  It is ready equipped with a sound library full of bass lines, melodies and mounter melodies, meaning that all the user has to do is piece the parts they want together to create the sound they want.

Here is a clip of the short 8 bar phrase I created, first by starting of with a basic dance beat, then adding synths and a trumpet melody.

 

“There are some simple and amazing programmes that allow children to compose exciting music with little or no instruction” (Page, 1995 p.26)

I thought this was a great tool as it allows anyone, no matter how in depth or how little music knowledge they have, to create a piece of music. It also allows children who may not play an instrument but still have an interest in music, to express their musical creativity through technology. It also developed children’s independent learning, as once they have been shown how to work the programme, the rest is up too them. There are endless possibilities for the type of music they can create.

I personally feel that the current music curriculum should be updated. Although there are many children who have an interest in learning classical music and traditional composition, there will be some pupils who have more of an interest in dance and electronic music, or who want to learn more about the production of music rather than learning to play an instrument. Therefore I think it is important that teachers vary how they teach music, and it would be beneficial to introduce programmes like Garageband into the curriculum.

References

Page, N. (1995) Music as a way of knowing. Maine: Stenhouse Publishers