{"id":263,"date":"2014-09-17T14:40:28","date_gmt":"2014-09-17T13:40:28","guid":{"rendered":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/?p=263"},"modified":"2016-01-11T16:43:25","modified_gmt":"2016-01-11T15:43:25","slug":"nil-nil-notes","status":"publish","type":"post","link":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/2014\/09\/17\/nil-nil-notes\/","title":{"rendered":"Nil Nil notes"},"content":{"rendered":"
\"\"<\/a>
taken from https:\/\/www.haemophilia.ie\/content.php?id=5&article_id=231&level3_id=232<\/figcaption><\/figure>\n

The poem is about football and this title references a scenario in which both teams lose. Both the stories contained within the poem are about nothingness which is reflected in the title of double zero. Also the fact that the poem deals with two stories that both end in nothing is shown here as there is an idea of two teams (stories) being played. <\/p>\n

Both the plane and the football club start on a high but by the end of the poem they are nothing. <\/p>\n

In line 18 we find out that Farquhar has died and that he has probably been forgotten about. This is emphasised by the tone and word choice of \u2018name-check in Monday\u2019s obituaries\u2019. There is an image here that he has grown old and that he has been forgotten about. The only thing he will be remembered for \u2013 name-checked- is his \u201cspectacular bicycle kick\u201d. Farquhar is later portrayed as a villain in the poem. He somehow manages to score an \u201cown-goal\u201d in a later match. He has sabotaged his team\u2019s chances of winning when they are already on a losing streak. <\/p>\n

The poet helps us to understand that the clubs fortunes have diminished over time by using a really long list. He lists all the things you can now see at a game \u201cbig tartan flasks, open hatchbacks, the half-time Satsuma, the dog on the pitch\u2026\u201d all this suggests that the atmosphere has gone a bit stale and that the team is now only playing at amateur level.
\nThe word choice to describe this decline is also worth noting. Paterson calls it the \u201cfifty year slide\u201d. The decline is taking a long time to happen, and the slide part suggests that they have no control over it and cannot prevent it from happening. <\/p>\n

Paterson uses specific word choice in his opening line to establish straight away that the club is experiencing success and glory. He opens with the phrase \u201cfrom the top\u201d. This suggests that the team is at the height of their game and are doing the best they possibly can. This idea is further reinforced with the phrase \u201cthe zenith\u201d again suggesting that these men have reached the peak, no one can beat them. The team are clearly well supported as Paterson speaks of a \u201cplague of grey bonnets\u201d, the word \u201cplague\u201d suggests an epidemic of people so we know the grounds are swarming with supporters. The word \u201cmajestic\u201d is also used to describe the skills of one of the players. This word bears connotations of being god-like and great or important. This tells us that the team holds a high position and is doing well. <\/p>\n

The epilogue is very effective at summing up the central concern of nothingness in the poem. The speaker in the poem is addressing us directly after telling us the story of the club and plane descending into nothingness. He too is about to disappear into nothingness. He talks of \u201cthe failing light\u201d, – the coming night will be complete darkness, \u201cthe trail as it steadily fades\u201d \u2013 the path disappears, and then eventually mentions \u201cnirvana\u201d the state of non-being. All of this highlights and reinforces the idea that eventually all of us, no matter what, will become nothing. <\/p>\n

In lines 19-23, Paterson is describing the decline of the football team. There is sense of humour and irony here as he describes the \u201cspell of giant killing\u201d as a \u201csetback\u201d. He is looking upon the teams short spell of victories as a bad thing because it causes a blip in their steady fall from the top. This is ironic as really this should be something to celebrate, the team are doing well. There is also humour in the mock heroic word choice. \u201cspell of giant killing\u201d. The team are not really knights fighting a deathly battle against huge beings, but a small football team challenging another football team. It makes it sound like the football matches were difficult and epic battles. <\/p>\n

The idea of a decline is further established in lines 44-49. The team has been reduced to one wee boy \u201cswanking\u201d home on his own from the field that now acts as the football pitch. The town from which the football club once hailed has also fallen into decline, mirroring the demise of the club. We are told that he walks past \u201cstopped swings, the dead shanty-town\/ of allotments, the black shell of Skelly Dry Cleaners\/ and into the cul-de-sac\u201d. The \u201cstopped swings\u201d hints that once upon a time this area was lively with children playing but now they no longer come outside. The use of \u201cdead\u201d to describe the allotments also suggests this lack of life, and the \u201cshanty-town\u201d to describe the allotments appearance suggests great dilapidation has taken place. The Dry Cleaners that once sponsored the team has now gone bust as there is only a \u201cshell\u201d left, letting us know they are now empty. The word choice \u201cblack\u201d lets us know it is darkness and could hint that it has actually been burned down so the area is now invaded by hoodlums who wreck what is left. Dramatic epithet is also used as the boy trudges home in \u201crain\u201d which suggests a sad and dreary mood and setting for the poem at this point. <\/p>\n","protected":false},"excerpt":{"rendered":"

The poem is about football and this title references a scenario in which both teams lose. Both the stories contained within the poem are about nothingness which is reflected in the title of double zero. Also the fact that the poem deals with two stories that both end in nothing is shown here as there … Continue reading Nil Nil notes<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2785,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[461],"tags":[3440,136],"class_list":["post-263","post","type-post","status-publish","format-standard","hentry","category-higher","tag-don-paterson","tag-poetry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts\/263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/users\/2785"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/comments?post=263"}],"version-history":[{"count":5,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts\/263\/revisions"}],"predecessor-version":[{"id":306,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts\/263\/revisions\/306"}],"wp:attachment":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/media?parent=263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/categories?post=263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/tags?post=263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}