{"id":1081,"date":"2018-11-26T12:21:20","date_gmt":"2018-11-26T12:21:20","guid":{"rendered":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/?p=1081"},"modified":"2018-12-11T10:49:02","modified_gmt":"2018-12-11T10:49:02","slug":"the-ferrymans-arms-analysis","status":"publish","type":"post","link":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/2018\/11\/26\/the-ferrymans-arms-analysis\/","title":{"rendered":"The Ferryman’s Arms Notes"},"content":{"rendered":"
    \n
  1. \n

    Explain how the language of lines 1\u201310 creates an ominous and\/or foreboding atmosphere.
    \nAn ominous and foreboding atmosphere is created in the first ten lines when the speaker states \u201cI stood with my back turned\u201d. This suggests to the reader that there could be something behind the speaker, waiting to attack or approach him. It is reminiscent of the horror scene in which the attacker can be seen lurking behind the victim. The personification of the table \u2018humming\u2019 also creates a threatening atmosphere as the only thing that can be heard in the pub is the electricity running through the table. It suggests the pub sis eerily quiet. This quietness is reinforced in the word choice \u2018deserted\u2019 which tells us there is no one else there, not even a barperson. The back room is also referred to as \u2018darkened\u2019 the word choice here suggesting that the pub is not very well lit and is shadowy. All of this creates quite an oppressive and bleak atmosphere.<\/p>\n<\/li>\n

  2. \n

    Identify two ways in which the idea of duality is introduced in lines 1\u201310.
    \nThere is a very clear sense of duality in the first ten lines of the poem. This begins in the phrase \u201cwith ten minutes to kill\u201d. This is a double agent. The speaker is saying that he has a lot of spare time before the ferry comes and he needs something to fill it. However in reality it is time that kills us, as we age or get ill. The duality is continued with \u201cI took myself on for the hell of it\u201d. There is a clear image here of a man in a pub playing himself at pool. There are two of him \u2013 there is even a hint that he could be playing for his life further on in the poem.<\/p>\n<\/li>\n

  3. \n

    Identify two ways in which lines 1\u201310 introduce the idea of death.
    \nThe first image of death in the first ten lines appears when the speaker states \u201cI was magnetized by a remote phosphorescence\/and drawn, like a moth, to the darkened back room.\u201d Here the speaker compares himself to a moth and the back room of the pub to a light which attracts the moth. However, given that there is an overtone of Greek mythology and death to this poem a deeper reading of this simile shows us that actually it is his soul that is moving towards the light. There are also echoes of the western idea of being pulled towards the light when you have died.
    \nThe second image of death appears in the phrase \u2018a striplight\/ batted awake in its dusty green cowl\u201d. The metaphor which the light fitting becomes a cowl is suggestive of death\u2019s hood and robe.<\/p>\n<\/li>\n

  4. \n

    Lines 11\u201320 describe the speaker\u2019s game of pool. Explain how these lines develop the theme of life and death.
    \nIn lines 11-20 the speaker states that \u201cthe black did the vanishing trick\u201d. The word choice here could simply be talking about the ball being pocketed. However it could be a metaphor for the life of the player ending. This is his passage from the real world \u2013 the green felt of the pool table \u2013 into the underworld \u2013 the inner mechanics of the pool table.<\/p>\n<\/li>\n

  5. \n

    With close reference to the language of lines 21\u201326, explain how the arrival of the ferry is made sinister.
    \nThe ferry\u2019s arrival is made to sound sinister through word choice. We are told that it arrives from \u201csomewhere unspeakable\u201d. The place from which the ferry has come is unnameable. It suggests through the \u2018unspeakable\u2019 that it is physical impossible or painful in some way to utter the name. The sibilance in these two words also adds to that idea, as they are almost hissed out again making it sound like the ferry has arrived from somewhere dangerous or disagreeable.<\/p>\n<\/li>\n

  6. \n

    Discuss, with reference to examples from the poem, the symbolic importance of either light and dark or colour, in this poem.
    \nThe light colours in this poem are all associated with life where as the darker colours come to be associated with death. There is a clear simile in the final stanza, where the<\/p>\n<\/li>\n

  7. \n

    Identify and explain the effect of any one allusion to Greek mythology in the poem.
    \nOne of the allusions to a Greek myth is when the speaker \u2018slots a coin in the tongue\u2019 of the pool table. In Greek times the dead would have had coins placed on their eyes. These were to pay Charon, the ferryman, who would take them along the river Styx and into the Underworld. Here instead the speaker pays the pool table with the coins before he gets on his own ferry.<\/p>\n<\/li>\n

  8. \n

    \u2018I got aboard early\/remembering the ferry would leave on the hour\/even for only my losing opponent;\/but I left him there \u2026 sullenly\/knocking the balls in, for practice, for next time.\u2019
    \n(a) Explain the paradox in these lines.
    \nThe speaker says he leaves the losing player behind, however he was apparently both players.
    \n(b) In light of the use of metaphor and symbolism in other parts of the poem, explain what you believe to be the significance of these final lines.
    \nThese lines then imply the idea that we are both the living and the dead. We can only play the game fully until we die.<\/p>\n<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    Explain how the language of lines 1\u201310 creates an ominous and\/or foreboding atmosphere. An ominous and foreboding atmosphere is created in the first ten lines when the speaker states \u201cI stood with my back turned\u201d. This suggests to the reader that there could be something behind the speaker, waiting to attack or approach him. It … Continue reading The Ferryman’s Arms Notes<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2785,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[461],"tags":[3440,136],"class_list":["post-1081","post","type-post","status-publish","format-standard","hentry","category-higher","tag-don-paterson","tag-poetry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts\/1081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/users\/2785"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/comments?post=1081"}],"version-history":[{"count":2,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts\/1081\/revisions"}],"predecessor-version":[{"id":1089,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/posts\/1081\/revisions\/1089"}],"wp:attachment":[{"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/media?parent=1081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/categories?post=1081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.glowscotland.org.uk\/ea\/HomeoftheBrave\/wp-json\/wp\/v2\/tags?post=1081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}